After many years of not being able to shoot film (due to labs closing in Toronto, and moving where I lost my darkroom), I am finally in a position to start shooting again. New residence has ample space to set up at least a room to start developing film again, if not a darkroom in the very near future.
With the price of paper now, the days of spending hours in the darkroom making lots and lots of test prints are pretty much over.. I also appreciate the digital workflow now, and have been actively archiving my digital negatives for years, sending output to an Epson R2880 wide printer. For film, I intend on scanning negatives using a Coolscan, cataloging, and using the Epson printer for test prints and giveaways. For truly quality prints (i.e. those that are going on the wall) I intend to print on at least Pearl RC, if not Glossy Fibre. This also lets me print "digital contact sheets", reducing overall darkroom paper costs.
It's been 10+ years since I did any serious shooting, and I'm quite happy that the major films I used in the past (FP4+, HP5+, the Deltas) are all still available. I am shocked however, at the prices here in Toronto, Canada. A roll of HP5+ is C$10.00, but only U$5.50 (or about C$7.50 after conversion). For any serious shooting, this will certainly add up! With that in mind, I'm dusting off my bulk loader and will roll my own spools; luckily a 100' roll is still a decent price.
However, this effectively locks me down in my choice of film. Going over my old negatives, I've decided on HP5+ as my film of choice; the negative I seem to like the most (w.r.t. I'd like to hear folks' recommendations on what (readily available) developer to use. I intend to shot the HP5+ at 400, 800, and 1600. Moreover, once I get my zone system re-worked out, I'll carry over the HP5+ to medium format as well (I am really trying to simplify my workflow...I found that in the past I focused too much on film choice than shooting).
Perusing Toronto's Downtown Camera, the major developers available and recognizable:
Any recommendations? I am open to grain, and more concerned with contrast and tonal range.. DD-X? X-TOL (and bite the bullet if I can't make it through 5L in one go)?
Thanks everyone, for any feedback.
With the price of paper now, the days of spending hours in the darkroom making lots and lots of test prints are pretty much over.. I also appreciate the digital workflow now, and have been actively archiving my digital negatives for years, sending output to an Epson R2880 wide printer. For film, I intend on scanning negatives using a Coolscan, cataloging, and using the Epson printer for test prints and giveaways. For truly quality prints (i.e. those that are going on the wall) I intend to print on at least Pearl RC, if not Glossy Fibre. This also lets me print "digital contact sheets", reducing overall darkroom paper costs.
It's been 10+ years since I did any serious shooting, and I'm quite happy that the major films I used in the past (FP4+, HP5+, the Deltas) are all still available. I am shocked however, at the prices here in Toronto, Canada. A roll of HP5+ is C$10.00, but only U$5.50 (or about C$7.50 after conversion). For any serious shooting, this will certainly add up! With that in mind, I'm dusting off my bulk loader and will roll my own spools; luckily a 100' roll is still a decent price.
However, this effectively locks me down in my choice of film. Going over my old negatives, I've decided on HP5+ as my film of choice; the negative I seem to like the most (w.r.t. I'd like to hear folks' recommendations on what (readily available) developer to use. I intend to shot the HP5+ at 400, 800, and 1600. Moreover, once I get my zone system re-worked out, I'll carry over the HP5+ to medium format as well (I am really trying to simplify my workflow...I found that in the past I focused too much on film choice than shooting).
Perusing Toronto's Downtown Camera, the major developers available and recognizable:
- Ilford DD-X
- Kodak X-TOL
- Kodak D76
- Ilford HC
- Rodinol (a reproduction; the name of the new brand escapes me, but after speaking with the folks there they explained it is indeed the original formula)
- Microphen
- Ilfosol 3
Any recommendations? I am open to grain, and more concerned with contrast and tonal range.. DD-X? X-TOL (and bite the bullet if I can't make it through 5L in one go)?
Thanks everyone, for any feedback.