Just getting started with this whole digital negatives thing. Done lots of reading (both online and old-fashioned books, including Ron Reeder and Brad Hinkel's) and am looking forward to starting in as I have a project that I want to do in alt-processes. As I'm new to that arena as well, I'm starting with cyanotypes and then going on to do salt prints and (eventually) Pt/Pd.
I have an Epson R2400 (with the UC-K3 inks) and QTR installed and working properly (printed several test prints and they look great). Pictorico OHP is on its way. I know I have lots of testing to do, but I'm wondering if anyone has any QTR profiles for cyanotypes and/or salt for the R2400. Obviously the two processes I'm starting with are miles apart on the contrast range, and deliberately chosen for this (and other) reasons. I realize I am going to have to test and tweak for both of these, but was hoping someone might have profiles that would get me in the ballpark. I'd be surprised if someone has a salt profile laying around as it's not that popular of a process.
Any help, profiles, suggestions, would all be greatly appreciated!
-- Kevin Landdeck
www.flickr.com/photos/shudaizi
I have an Epson R2400 (with the UC-K3 inks) and QTR installed and working properly (printed several test prints and they look great). Pictorico OHP is on its way. I know I have lots of testing to do, but I'm wondering if anyone has any QTR profiles for cyanotypes and/or salt for the R2400. Obviously the two processes I'm starting with are miles apart on the contrast range, and deliberately chosen for this (and other) reasons. I realize I am going to have to test and tweak for both of these, but was hoping someone might have profiles that would get me in the ballpark. I'd be surprised if someone has a salt profile laying around as it's not that popular of a process.
Any help, profiles, suggestions, would all be greatly appreciated!

-- Kevin Landdeck
www.flickr.com/photos/shudaizi
I thought about that route for quite some time, but two things swayed me. The first being the obvious one of cost (nothing is as cheap as cyanotype and salt is quite affordable too). The second is that both are POP processes, so that with just a little experience I should be able to eyeball exposure. I don't have a totally repeatable UV source (the sun is pretty reliable in the Bay Area for the spring-summer-autumn but still a far cry from an indoor UV unit), so POP processes seemed like a reasonable way to begin. 