[B]OPTIMUM PERMANENCE[/B]
The standard fixing and washing recommendations
will give excellent print permanence for all
[U]commercial needs[/U]. When [U]optimum permanence[/U] is
needed, perhaps for archival storage of prints, the
following fixing and washing sequences at
1824°C/6575°F (including wash water) are
recommended using ILFORD WASHAID. Do not
add a hardener to the fixer. Be careful not to
exceed the capacity of the fixer and not to extend
the fixing time as both these make washing more
difficult.
[B]Optimum permanence sequence[/B]
Fixation ILFORD RAPID FIXER (1+4) 1min
or HYPAM (1+4) 1min
intermittent agitation
First wash Fresh, running water 5min
Washing aid ILFORD WASHAID (1+4) 10min
intermittent agitation
Final wash Fresh, running water 5min*
* Extend to 30 minutes if the warmest image
colour is needed.
[B]WASH[/B]
When a non-hardening fixer has been used wash
the films in running water for 510 minutes at a
temperature within 5ºC (9ºF) of the process
temperature.
For spiral tank use, when a non-hardening fixer
has been used, the following method of washing is
recommended. This method of washing is faster,
uses less water yet still gives negatives suitable for
long term storage.
[U]After fixing, fill the spiral tank with water at the
same temperature, +/ 5ºC (9ºF), as the
processing solutions and invert it five times. Drain
the water away and refill. Invert the tank ten times.
Once more drain the water away and refill.
Finally, invert the tank twenty times and drain the
water away[/U].
This is what I've been saying but Ralph doesn't seem to understand. He argued that if they recommend long wash then their short wash procedure cannot be trusted...Bob F. said:They are both shown on the current Ilford datasheets. I do not see your problem. The short wash times is clearly predicated on the use of a short fix time in film strength fixer and the use of a wash aid - it is in a table all by itself. The long wash time is when those special conditions are not met.
Ryuji said:Distilled water is not recommended for washing.
RalphLambrecht said:Also be aware, members of the PureSilver list reported that Ilford's print processing recommendations don't work with Kodak papers (fixing too short).
Again, this is your personal opinion, and inconsistent with fact. My tests indicate that the materials processed according to Ilford's archival seuence meets and exceeds archival standard for residual thiosulfate. It is not a comporomise in this regard.Ilford's recommendations where made to save water, not to improve longevity. They are most likely a compromise. I'm not going there.
Ryuji said:Ilford changed their archival procedure from 30 seconds fix to 1 min fix for this reason at some point. Indeed, most papers are fine with 30 seconds, as long as the fix is fresh.
Ryuji said:Again, this is your personal opinion, and inconsistent with fact. My tests indicate that the materials processed according to Ilford's archival seuence meets and exceeds archival standard for residual thiosulfate.
Ryuji said:Concerning logevity, washing any more than necessary to a certain residue level will not improve the longevity. Proper toning and proper storage (particularly low humidity) are a lot more important than the amount of water wasted.
What did you test and what is your criterion for "cosnsistent fixing" and how does it relate to the present discussion?RalphLambrecht said:Consistent two-bath fixing needs 1 minute each, according to my tests!
"Tests" that don't describe what was tested and how the result was interpreted aren't facts.You are calling my test results 'personal opinion' and yours 'facts'. I can't add to that.
Untoned prints are "archival" (this term is not used in current standards, so it is only given loose definition from previous standards) as long as it is properly processed. If you store such prints in ideal condition, the prints will live for a long time. Toning is a very effective way to give additional protection to the image, the protection that is useful in suboptimal storage condition.All true, and there is such a thing as 'overwashing', but please explain why Ilford calls a FB-paper processing sequence, which excluding toning, 'optimal' and 'archival' and why I should not argue that view. They are calling a 5-minute wash after wash-aid and without toning, 'archival'.
It is there: it's all over the place. It is in all the current film datasheets I have seen and it is in their "Processing Your First B&W Film" tutorial document. Unless they want to highlight it with its own document I don't see what else they can do.Roger Hicks said:2) They will, when they get around to it, put the 5-10-20 wash up on the website alongside the running water wash recommendations. They were slightly surprised it wasn't there.
So it's not a question of their no longer having faith it it; it's a question of forgetting to put it on the web-site.
Cheers,
Roger
RalphLambrecht said:Did it come up in the conversation why they are still publishing the running-water method alongside the changing-water method?
Les McLean said:... Apparently, it is based on the Chemical Law of Dilution and the Chemical Law of Diffusion which Dave tells me is an accepted fact in chemistry...
RalphLambrecht said:... The other question is 'can we rely on diffusion alone during washing', and I believe that we can more so with film but less so with paper, due to the different substrates.
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