gregrudd
Member
Anyway, back on topic... I love my B&W film and shoot with whatever the scene demands. TriX, Neopan, APX, Delta
Thats interesting point you make about what ever the scene demands. As a train photographer with B&W it depends upon the look you are trying to go for. If you want that classic 1950's B&W look with a US bent I always reckon that the Plus-X/Tri-X is the go (just a pitty that Plus-X is no longer avail in large formats) For many a year I have been scared off classic Ilford product (HP4/5) because it looked more milkier (no doubt caused than a higher base fog than Plus-X/Tri-X) or is this more a product of the setup of the user in question?