Cylindrical wrapped film or paper can exhibit reflection lines in the image. I think the critical wrap angle is around 120 degrees, IIRC; any wider and you'll get reflection lines in the image unless you're using matte/pearl finish paper negatives. Most every sheet film also has this problem, since you can't get matte/pearl finish film.
I tend to favor using paper negatives for most all of my pinhole work, but others get great results using 120 rollfilm and sheet film. The big decider for 8 x 10 format is the cost of sheet film vs paper.
Also, VC/MG paper has issues with excess contrast in daylight, which activates its high contrast emulsion. Some people take to using a yellow filter over the pinhole to compensate, whereas I simply use grade 2 paper. The neat thing about graded paper is it's the only silver gelatin B/W medium where you can select the contrast grade ahead of time. With actual film your development (and to a lesser extent your exposure) determine contrast.
Others have used APHS ortho graphic arts film, since it's less expensive than regular sheet film, but you can't select a contrast grade. There have been some successful developers with APHS that control its otherwise lithographic contrast; see Jim Galli's website and posts for more info on how he does it.
~Joe