I've read opinions that are all over the place.
For tight & small grain in 35mm, xtol (or any of its clones) is very hard to beat.
This is very true.
Can some kind soul point me to a definitive formula for a clone?
I've been dead set on PyrocatHD for the last two years, and have yet to try xtol for 35mm. I do love the wacky acutance glow for my current work with Pyrocat. Is Xtol/Mytol that much better (grain and tonality)?
Also here is a negative half developed in 510Pyro and half developed in Pyrocat. This was TMAX 3200 set to 1200ISO so it's already grainy film.
Tri-X is way grainier than TMX, TMY, and Delta 100, even when pyro is involved. I can easily see it in a 5X7 print.
In fact, I shoot Tri-X only when I deliberately want some more "tooth" to the image. It has its own look. I just wish it were still the classic grainier journalistic Tri-X of yesteryear. We already have plenty of fine grained films.
'Definitive' especially on Photrio is kind of a tall order. This is what I use: https://www.photrio.com/forum/threads/film-developer-with-out-hydroquinone.189624/#post-2514181Can some kind soul point me to a definitive formula for a clone?
'Definitive' especially on Photrio is kind of a tall order.
This is what I use: https://www.photrio.com/forum/threads/film-developer-with-out-hydroquinone.189624/#post-2514181
I mix it fresh and then use one shot. This avoids the problem of sudden death due to Fenton reaction. It helps to keep the formula simple and the results will be very consistent this way. I've been using this approach for several years now. Zero failures.
At some point I specifically tested a couple of developers for grain with Fomapan 400 (a fairly grainy film as you probably know) and this 'instant mytol' formulation was the best I tried. I also tried pyrocat HD and 510 pyro; for this film, the 510 pyro performed a little better than pyrocat if memory serves, but the results were close. Instant mytol was the best of the bunch. The difference were for the most part quite subtle; the only thing that was kind of coarse was a vitamin-C developer formulated by Patrick Gainer: https://unblinkingeye.com/Articles/VitC/vitc.html I used that for some time, but in all honesty, results were pretty mediocre in terms of film speed and grain.
For tight & small grain in 35mm, xtol (or any of its clones) is very hard to beat.
There was a bit of breathless hyperventilation about 510 a while back on the UK 5x4 site and I wanted to see what the fuss was about.
Yup, but ppd...that's where the story ended for me as I didn't feel like stocking up a(nother) one-use chemical that had a limited number of sources and high toxicity to boot.Halcyon seems to give finer grain than XTol and Pyrocat-HD:
A minor annoyance is how difficult it is to pipette, but that's survivable. So given all that, I've never really adopted it.
I found that mixing the stock 1+3 with glycol made that problem much more manageable. Not only does it flow more easily, but you're mixing 4x the stock to make working developer, which is less error prone.
I have a few more runs of negs I did in 510 to try out, but unless they are breathtaking, I suspect the remaining 510 is all I will use and that will be it.
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