Pyrocat-P/Pyrocat-M

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sanking

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As announced earlier I have created a variation (actually two) on the Pyrocat-HD formula and they are currently being beta tested by some folks with experience using Pyrocat. This posting will serve notice to those persons that they are free to divulge any information they may wish about the formula, and/or to comment on their findings here or elsewhere. I originally intended to hold off a bit before making these formulas available to the public but for personal reasons decided to go ahead and do so today. I am satisfied that at the very least, “I do not harm” since both variations work at the same energy level as Pyrocat-HD and give very similar results, with some slight differences I will note below.

There are two variations. One, Pyrocat-P, replaces the phenidone in the Pyrocat-HD formula with p-aminophenol. That is the stuff in Rodinal and some folks believe it is the finest developing agent ever made. So think of this version as the Rodinal Pyrocat. The other version replaces phenidone with metol, which is used in about 80% of the most popular high acutance developers. Geoffrey Crawley believed that metol was superior to p-aminophenol in terms of acutance. So think of the Pyrocat-M variation as the Crawley inspired Pyrocat. In any event, both Pyrocat-P and Pyrocat-M are similar in terms of amount of reducer per liter of developer to some of the classical high acutance developers such as Beutler, FX-1 and FX-2 and Neofin Blue. Only Windisch contains significantly less reducer per liter. I have not compared the two variations to any of these formulas, but when I originally devleoped the Pyrocat-HD formula I made extensive comparisons with FX-2 and sharpness was idential with rotary processing so I am sure that acutance will be very high with both Pyrocat-P and Pyrocat-M.

The primary objective of the variations was to improve acutance with rotary agitation. Many people have observed that Pyrocat-HD gives sharper results with minimal agitation procedures than with rotary processing, and I agree with that observation. Although I don’t understand everything about the chemical reactions I speculate that the synergism between phenidone and pyrocatechin is so strong that it restricts local exhaustion except when the film is allowed to rest, as with minimal and stand agitation procedures. I further speculated that the use of other superadditive reducers, such as metol and/or p-aminophenol, might result in better performance with continuous agitation as in rotary processing. After considerable testing on my part I now believe that both the p-aminophenol and metol variations do indeed give slightly sharper results with rotary processing. This is based on visual observation of the negatives at various magnifications with a microscope. The samples were contact printed used the USAF 1951 chrome on glass target so as to eliminate optical issues. I will try to post some scans of the samples at high magnification when I figure the best way to do it. As for grain, it is a very close call but it does seem to me that the original –HD gives the tightest grain (about like D76 1:1), followed very closely by Pyrocat-M, and Pyrocat-P the most. But again, the differences are not great. Effective film speed is about the same with the three variations.

The metol version has proven particularly interesting to me. Some of you know that the original Pyrocat-HD formula contained metol rather than phenidone, and I have stated many times that in my opinion it gives slightly sharper results. However, that formula was based on the use of 10X as much metol as we have in the present Pyrocat-M solution. Yet the working solution is just as energetic as the regular Pyrocat-HD solution.

Another objective in working with the two variations was to closely approximate the developer activity and stain intensity of the Pyrocat-HD formula. This has been achieved so for all practical purposes, and verified with extensive testing with sensitometry, so you can use these two variations with the same dilutions and development times you use with Pyrocat-HD and the results in terms of approximate CI and shape of curve should be very similar, at least with the 1:1:100 dilution. This information should make it very easy for anyone with experience using Pyrocat-HD to experiment with either variation.

Let me add that to the point my only testing of Pyrocat-P and Pyrocat-M has been with rotary processing, and the only film Ilford FP4+.


Pyrocat-P
Stock A
Distilled Water at 120ºF 750ml
Sodium Metabisulfite 10.0g
p-Aminophenol 5.0g
Pyrocatechin 50g
Potassium Iodide 1.0g

Water to 1000ml

Pyrocat-M
Stock A
Distilled Water at 120º F 750 ml
Metol 2.5g
Sodium Metabisulfite 10g
Pyrocatechin 50g
Potassium Iodide 1.0g

Water to 1000ml


Be sure to mix the chemicals in the order given.

Pyrocat-P can be mixed in glycol if that is desired. Pyrocat-M must be mixed water unless you first change the metol to base, which is not all that complicated.

Stock B solution is the regular Pyrocat-HD solution.


The use of the potassium iodide restrainer is optional with Pyrocat-P and Pyrocat-M as both give lower B+F without any restrainer than Pyrocat-HD. However, someone who knows a lot more about developer chemistry than me suggested that it might improve sharpness slightly, so I threw it in. It certainly does not do any harm, but as to whether it serves the intended purpose the jury is still out in my opinion.

If you have any comments, questions or note anything in this message that needs correction I will be happy to address them this evening. However, I will be on vacation beginning tomorrow and will not have access to the internet. Which is a very good thing from time to time, and this is one of those good times.

Sandy
 
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jim appleyard

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Thank you, Sandy. Yet another new one to try. I'm so far behind...
 

Don Mills

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Hi Sandy,

What time, temperature and dilution would you recommend for 35mm and 120 FP4+ to be printed on vc paper? A rotary processer will be used. Thanks so much for your efforts in formulating and sharing this fine developer! Regards Don.
 

aligndont

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Glycol and new pyrocat formulations

Sandy,
Would you forsee any problem in substituting glycol for the distilled water in these formulas?
 
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sanking

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Don,

Are you currently using Pyrocat-HD? if so, use the same dilution and development time that works for you with either Pyrocat-P or Pyrocat-M. . You may need to make some slight adjustment, but not much.

If you don't have any experience with Pyrocat-HD, let me know and I recommend some times for you.

Best,

Sandy


Don Mills said:
Hi Sandy,

What time, temperature and dilution would you recommend for 35mm and 120 FP4+ to be printed on vc paper? A rotary processer will be used. Thanks so much for your efforts in formulating and sharing this fine developer! Regards Don.
 

Amund

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And, what formula is the best for contact printing? Just when I had settled on your HD :smile:
 

gainer

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aligndont said:
Sandy,
Would you forsee any problem in substituting glycol for the distilled water in these formulas?
If he's like me, Sandy is gone for a while. He did, however, mention that glycol could be used, but that the metol would have to be converted to the base. Look in the articles for the method.
 
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sanking

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Not with Pyrocat-P, which uses p-aminophenol, except for the fact that I strongly recommend you add sodium metabisulfite (or sodium sulfite at a 13:10 ration with metabisulfite) first, then add the p-aminophenol. In other words, just mix in the order given on the formula.

Pyrocat-M is another issues. Metol will not dissolve in glycol, unless you first convert it to base. This is not difficult and Pat Gainer has been playing around with various methods of doing this over the past few weeks. His procedures are quite simple but since the precise amount of metol in the formula is very critical to the objective I set forth for the formula I have not yet determined exact figures for making the conversion. I will be working on this in the future as I do find some advantages to storage in glycol.

Sandy

aligndont said:
Sandy,
Would you forsee any problem in substituting glycol for the distilled water in these formulas?
 
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sanking

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Well, I will be gone tomorrow, but am still here this evening.

Did you post something on coverting metol to base in the article section of APUG? If so, sorry I was not aware of it as I would have mentioned it in my original post. I do believe that many people will find mixing in glycol offers some advantages, especially people who don't develop a lot of film but who require absolute consistency in month ten of the life of the developer as in month one. That has always been one of the attractions of developers such as Rodinal and HC-110.

And BTW, did you see the news that Photographer's Formulary is going to start marketing the liquid Pyrocat-HD kit mixed in glycol? That is great news and I hope that folks take advantage of the considerable extra shelf life of the glycol kit.

Sandy




gainer said:
If he's like me, Sandy is gone for a while. He did, however, mention that glycol could be used, but that the metol would have to be converted to the base. Look in the articles for the method.
 
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sanking

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Are you using rotary processing?

If so, Pyrocat-M or Pyrocat-P will give slightly greater sharpness, based on the limited tests I have conducted to date. Which I again note, have been with FP4+ and rotary processing.

Sandy


blix@broadpark.no said:
And, what formula is the best for contact printing? Just when I had settled on your HD :smile:
 

DeanC

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Good stuff Sandy. I'll be interested to see those samples when you get a chance to post them.

Given that you say the increased sharpness is only slight, do you think the difference will be noticeable in a contact print or would it only really become apparent in enlarged prints?
 
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sanking

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Dean,

Given the same type of agitation I would definitely expect to see a slight improvement in apparent sharpness in a contact print with the -P and -M variants. In fact, I am very convinced that in contact printing with LF and ULF negatives we most need more acutance than with 35mm and medium format negatives.

I am going to work on the concept of how to most effectively present visually the differences in apparent sharpness between the three variants. It is really complicated because most printing systems have their own limitations that are the weak link in our perception of sharpness, which depend on several factors, of which the most imporant are resolution and micro-contrast.

Sandy


DeanC said:
Good stuff Sandy. I'll be interested to see those samples when you get a chance to post them.

Given that you say the increased sharpness is only slight, do you think the difference will be noticeable in a contact print or would it only really become apparent in enlarged prints?
 
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Ryuji

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Very interesting work, and a challenging aim of enhancing accutance in large format films in rotary processing.

First of all, I don't do ULF and I am mostly concered about modest accutance in 35mm and medium format sizes, so our goals are different. But what I always notice is that the desirable amount of accutance increase depends on the film and the enlargement factor. For example, if I am making 20 inch square print, I want less accutance than when making 10 inch square print. Similarly, when I use TMX, I need more accutance oriented developer than Delta 100 or Acros 100, which requires more accutance oriented developer than HP5, to get "equivalent" accutance effect on the final print of the same size. Of course, "equivalent" is a difficult term to quantify because this is about visual perception related to multiple physical factors, such as resolution, microcontrast and modulation transfer function. MTF would be pretty nice and easy to interpret in practice, but at the same time, it requires serious equipment to measure.

I've also tried in the past to demonstrate different kinds of accutance effects I get with a few film-developer combinations, but not too surprisingly, the microscopic photographs don't convey the information even if the difference is clearly seen in your eyepiece, and scans of negatives and prints are also hard to relate to real life prints. Oh well... Let me know if you have good luck in showing the nuance in wet mount scans of negatives.
 
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sanking

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I absolutely agree with your observation about the relationship between print size and acutance. From my experience acutance is more important in contact printing with LF and ULF negatives than with 35mm and medium format negatives.

There was a thread here a few months ago about measuring acutance. In that thread various ideas were advanced as to how this might be done with equipment that might be available to ordinary folk. Some suggested this could be done with scanners. Unfortuantley no practical solution to the problem came out of the discussion, at least none that I know of. In my opinion it would be extremely useful to be able to correlate the relationship between apparent sharpness objective measurments of acutance with degree of magnification. Most of us know something about this from empirical observations but not much from a purely theoretical perspective. If you are aware of any good studies on the subject I for one would be very interested in consulting the work.

Sandy
 

DeanC

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Very interesting. I'm in the middle of doing some film testing right now anyway so even though I've got something like 2 year's worth of -HD mixed up in glycol maybe I'll mix up a batch of one of the new ones, do some BTZS testing just to verify speed and dev times and go double-shoot some negatives.
 
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sanking

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Dean,

You won't lose anything if you do. All three variants retain the Pyrocat look in terms of curve type and look, and about the worst that might happen is that the differences are so subtle you might not be aware of them.

But I am always interested in feedback from people like you who do good sensitometry so let me know what you find if you decide to test the new variants.

Best,

Sandy




DeanC said:
Very interesting. I'm in the middle of doing some film testing right now anyway so even though I've got something like 2 year's worth of -HD mixed up in glycol maybe I'll mix up a batch of one of the new ones, do some BTZS testing just to verify speed and dev times and go double-shoot some negatives.
 

DeanC

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sanking said:
Dean,

You won't lose anything if you do. All three variants retain the Pyrocat look in terms of curve type and look, and about the worst that might happen is that the differences are so subtle you might not be aware of them.

In which case I'll have 3 years worth of Solution A in my cabinet instead of 2. ;-)

sanking said:
But I am always interested in feedback from people like you who do good sensitometry so let me know what you find if you decide to test the new variants.

Well, I do sensitometry anyway. The jury is still out on how good it is.

I know I've said this before but thanks again for providing us with such a versatile bit of chemistry.

Dean
 

DeanC

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sanking said:
Well, you could buy my 20X24" camera. That would make your Solution A go away much faster!!

It would also mean I'd have to start posting in the dog house thread!
 

Patrick Kolb

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Sandy,

Is the quantity of water for Pyrocat P to make 100ml or 1000ml.

I have been using the normal Pyrocat formula and minimal agitation and can't say enough with the results. I guess the only thing to say is THANK YOU.
 
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sanking

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Hi Patrick,

The formula is for 1000ml of Stock A. Thanks for alerting me to the error which I have now edited on the original message.

In the past I have usually given the formula for 100ml of Stock A solution, but given the fact that not many people have scales that measure accurately to 0.1g I decided to change the standard to a stock solution of one liter.

Sandy


Patrick Kolb said:
Sandy,

Is the quantity of water for Pyrocat P to make 100ml or 1000ml.

I have been using the normal Pyrocat formula and minimal agitation and can't say enough with the results. I guess the only thing to say is THANK YOU.
 

schambuk

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Sandy,

Could I just double check the Metol quantity. In the new formula it is 2.5g per 1000ml. In the old formula it was 2.5g per 100ml as a substitute for Phenidone 0 .2 g.

Steve Chambers
 

noseoil

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Very interested to see what folks think of an acutance type of pyrocat and minimal agitation for contact printing (the logical next step, as it were). I've used the HD for efke 100 and 35mm minimal agitation with good results, so an even sharper LF film would be the cat's meow. Can't wait. tim
 
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sanking

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Steve,

The quantity is correct, 2.5 grams of metol per liter of Stock A. I ran a specific test using metol at the original amount down to 1/20 of the original amount and my objectives in terms of stain and energy were met with 1/10 of what is seen in the old formula. This was pretty surprising to me since most formulas require substitution of metol for phenidone at a ratio of 10:1 - 20:1.

One possibility for the big discrepancy is that the metol I used in the original tests was old and had lost some of its strength. I specifically pruchased new supplies of all of the reducers in the series of current test I just carried out to eliminate this potential problem.

OK, I am on the road and won't be able to comment further on this until end end of next week.

Sandy




schambuk said:
Sandy,

Could I just double check the Metol quantity. In the new formula it is 2.5g per 1000ml. In the old formula it was 2.5g per 100ml as a substitute for Phenidone 0 .2 g.

Steve Chambers
 

Silverpixels5

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Sandy:

Do all three developers give similar effective film speeds? I would always get box speed or better with Pyrocat HD, and was just wondering if the -P and -M variant do the same. Thanks!
 
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