Published APUG members

mhv said:

David, are you familiar with the brothers Quay? They adapted Schulz's story into a stop-motion movie (their medium)
http://www.zeitgeistfilms.com/film.php?directoryname=streetofcrocodiles

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Yes, of course. They are supposedly working on another film connected to Schulz, but I've heard this more than once, and I don't know if it is true.

Another great film based on Schulz is Wojciech Has's _Sanatorium under the Sign of the Hourglass_. Has is most known for _The Saragossa Manuscript_, which was made famous in the US in part by Jerry Garcia.

Published recently in B and W magazine June issue which just came out.

my turn!

Ok, since I started this thread, I might as well add my humble entry.

My father is actually who published a book of stories lately, but he happened to have an artist as a son and to make use for some of the skills he payed for dearly, he decided to use some of my photographs.
He insisted to have his glorious portrait on the front cover, a picture of the sea at the back cover and he was delighted by my choice for the flap picture.
My mother didn't approve of the latter.
I am sure some will recognize them.
Some people actually had nice things to say about my photos, imagine that!
I even got some empty promises and hollow interest for professional projects.
Oh, well.
Maybe next book.

Last month's Classic Van and PickUp magazine.
Single pager on Beaulieu Autojumble.

Steve

nasa.gov and some brochure type things.... all for digital images!

i bind my own hand made artist books..! i have lots of them

I assume that to be a published member doesn't require that your published works be photographs. That part of my career is in the past.

Does it matter if the published works are on a legitimate Web site? By that I mean a site by a respected publisher.

I retired two weeks ago, and photography remains my hobby. However, my published works go on.

The Pulitzer Prize-winning Toledo Blade, from where I retired, has added me as a writer of a blog/column appearing regularly on its Web site toledoblade.com. My smiling face appears on the first page of the site. I can still take photos and add them to my postings as I choose.

It gives me something to do in retirement for a few hours each week. I have the freedom to write on just about any topic I want.

And it helps keep me off the streets and out of the pool halls.

Check out the first couple blogs on toledoblade.com. Comment, critique or complain about them if you'd like. There's a link to respond directly to me at the bottom of each blog post.

Ken Rosenbaum

rosey said:

I assume that to be a published member doesn't require that your published works be photographs.

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The thread is really about published work related to photography. Not just photographs, but any articles and opinion on photography.

Btw, give my regards to Klinger.

I have a portfolio featured in this month's (April/May) issue of a magazine called, "VISIONS- Art & Photography" which is only available at Chapter's across Canada. The publisher lives on the island. Vancouver Island that is.

1993, 2003, 2004 Providence Business News
( published every week )

Eastside Monthly / Providence Monthly 2004

Institutional Investor

Shell Oil Company "Spectacular" Sign
187 Magazine Street
Landmark Designation Report



i'll have some photographs published in a Cranston Herald (very soon),
and hopefully that book with all those "world records"
(it's the world's largest meatball).


john

FilmSprocket said:

....Been working on a book (just the photography) for the last year and a half. The book should be out next summer. It's about the history of a local farm area near Ann Arbor.

Everything was, and continues to be, shot with film only.

Marc

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Well, the above message was from last December 23rd and the book is still not completed yet, but, the cover has been decided on: http://www.press.umich.edu/titleDetailDesc.do?id=361228 . All the photos on the cover are mine, save for the sunflowers.

I wish they had a larger image to show. I think my name isn't mentioned here yet because although I shot 70% (150-200) of the photos for this book, they'd have to mention the other photographers, too. However, they don't know who the photographers are for some of the pics, so, to make it simple (I guess) there are no photographer's names credited yet. All I know is, the writer fought to get the designer to enter a photo credit under each and every image (if known). That's better than just a listing at the end of the book, with no credits under the images themselves.

Anyway, the book should be out in September.

Marc

Published in June - July 2008 issue of VISIONS art & photography magazine
Photo Article on the Valley of Fire in Nevada, USA

My work is currently being produced on post cards, calendars, bookmarks, greeting cards, tote bags, posters and umbrellas. To be perfectly honest some of the items are illustrations (traditional pen and ink none the less), but most are photographs. Not the same as the cover of Aperture, but we take what we can get.



this is a shameless thread.

Countless quantities of regular photography in magazines:
ST World (An Atari ST magazine); ST Action; Amiga Action, late 80s into early 90s.
Mostly Olympus OM-1 systems, then when they packed up toward the end I got my Nikon F-801 (the F4 wasn't available for another few months so I got that instead) and the C330, but I did also use an absolutely amazing Rolleiflex 3003 and the magic 35mm lens until it got stolen.

Mayfair Magazine (as Art Editor) mid 90s to end of 90s.
I was forever using my own photography using various cameras ranging from my Nikon F801 & F4 systems, up to my Mamiya C330 system, and down to Kodak disposables (we did a regular series which was all shot on those!).

Books (eg, Flash XML, on Friends of ED (I think there's a picture in there I took) and the unpublished Foundation SVG (which definitely used pictures I took)).

Till now, about 30 books, see my website : www.photoeil.eu and look under 'publications' (click on the 'Dantologie' cover). The books of 2007 (and 2008) are not on yet.
Various subjects, but right now a vast majority of cookery books, 80 % of the colour shot on film and ALL the B&W on film.

Philippe

I had my first article and short essay published thanks to David Vickers at Creative Imaging. I didn't know writing could be so much fun! Thank you David!

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Dorothy, I saw your work on CIM and I really enjoyed the article on the Darkroom and the images you submitted. Been a while since I looked but it was of Lake Superior? I have had three articles published on Creative Image Maker Magazine as well. Dead Link Removed Dead Link Removed. And a product review of the Dead Link Removed.

Christopher Walrath said:

Dorothy, I saw your work on CIM and I really enjoyed the article on the Darkroom and the images you submitted. Been a while since I looked but it was of Lake Superior?

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Thanks, Chris. It was Lake Erie in New York, near Brocton. I haven't been over there in awhile either.

I'm sorry. I remembered it was one of the lakes. Reminded me of home. I grew up in Ohio within a couple of hours of Lake Erie. My Dad used to drag me out on the ice for a day in February in his 70's GM van for a day of drillin', scoopin', freezin' and waitin'. Good times. Good times.

"Rigor and Surrender" article in the current (July August) LensWork.
Revised "Finely Focused" CD ROM Book available on my web site
Two articles in View Camera this year ("The Ritter 8x10" and "A Trip to Maine").
Prior View Camera and Lenswork articles, too, but older.
Zone VI Newsletter #48, in the old days.

Please check out the Autumn issue of "Life Images" at the news stand. My photo appears on page 96, my wife's journal entry is on page 97.

Allen Friday

i'm not able to find it on their website
and i don't have the 2009 edition yet
but look for me under "largest meatball"
in the guiness book of world records.
it was 72+ lbs.

This is a copy/paste from another forum about B&W Magazine.
They published three photographs out of probably a dozen I sent. It was the December 2003 issue/#28. It was stuff I shot there while in London on a few visits between 1987 - 1990. Mostly street shots and some on the subway or 'Tube'. I sent 11x14s I printed on Oriental Seagull - very good reproduction. I had a few back and forth international phone conversations with the Features Editor, Tracy Hallett and her assistant leading up to and after publication. I didn't have access to email then. I remember them being very professional and enthusiastic in their work. I don't recall the time span between submission of prints and the phone call informing me they were going to publish a few. I think I was eventually paid something around $200 and the photos were returned intact.
Russ
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brass majestic is online now Reply With Quote

In November, 2003 Popular Photography did a 2 page spread of my fine art photos of rural Indiana. I have also been a staffer for two local magazines (Fort Wayne Magazine and Northern Indiana Lakes). Both have published numerous photos from me. A number of my commercial clients have used my photos in ads and such too which I guess is being published.

Not photography related but I was just published this month by an automotive trade publication, Counterman Magazine. Here's the link.

http://www.counterman.com//Article/...on_the_benefits_of_good_customer_service.aspx

I do have a new book on Stand Development

Here is the description. It is filled with 60+ images and is half a reference book on stand development:

"Iridescent Light - The Art of Stand Development" is the reference book on how to do stand development. Stand development is a variation of regular black and white film development whereby developer is diluted and the development step is extended from the typical five to ten minutes to one to three hours. What results is pure magic–a silvery, iridescent image with a beautiful, long tonal range.

Half of the book is instructional, and the other half, beautiful images illustrating the technique. For anyone wanting to process their own black and white film using this easy technique, this is the new bible. Filled with comparisons of film and developer combinations, several combinations of materials and processes, you will have the information to get you started with stand development.

Iridescent Light also encourages experimentation with different developers and additives. How easy is Stand Development? Agitate your film as usual for the first five minutes, then put your film tank aside for a few hours. The catch? You have to use the right film and developer in the right dilution.

Find out how household Borax can improve your process. Learn how Vitamin C not only prevents scurvy, but also produces improved results with any development technique. Which films and developers are the best? It is all in this book. Get the coffee table book packed with how-to techniques.

"Iridescent Light - The Art of Stand Development" is 120 pages, beautifully printed on premium paper, and on sale now at Blurb.com in hard and soft cover. Ships Internationally. You can preview the book at http://www.blurb.com/my/book/detail/533375.

Michael Axel