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- May 26, 2018
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- 366
There is an extensive thread here for developing E-6 film in C-41 chemistry. The results there are much better than your images.
Also, it really bugs me how people here will straight up talk shit when people try something different, especially when they haven't done it themselves. People come here for ideas and discussions, if you're not gonna contribute then why the hell even bother posting.
Also, it really bugs me how people here will straight up talk shit when people try something different, especially when they haven't done it themselves. People come here for ideas and discussions, if you're not gonna contribute then why the hell even bother posting.
Aha! Time you gave it a try, then; if you can do B&W you can do C-41.I only do B&W, and am in awe of those who do color because it's so much more exacting, or at least that's my understand of it.
That pretty much sums up the internet and social media as a whole.
No one is talking shit here, except maybe you. My post merely pointed out that there was an extensive history on this topic, and if the OP was interested he could svail himself of the resource.
I find it interesting that in a thread about Antonio experimenting with a technique, when Tim took the time to reference to the contents of another thread as showing better results, that someone considers Tim to be "dissing" Antonio's work.
It isn't like Tim said something bad about Antonio's photos!
was that is sounded very dismissive. There was no link to the threads mentioned and the last comment sounded very blunt.There is an extensive thread here for developing E-6 film in C-41 chemistry. The results there are much better than your images.
And "dismissive" may have been his intent, but I would be surprised.The way I read Tim's original comments
was that is sounded very dismissive. There was no link to the threads mentioned and the last comment sounded very blunt.
I find it interesting that in a thread about Antonio experimenting with a technique, when Tim took the time to reference to the contents of another thread as showing better results, that someone considers Tim to be "dissing" Antonio's work.
It isn't like Tim said something bad about Antonio's photos!
And "dismissive" may have been his intent, but I would be surprised.
I think we are all reading "tone" into an internet post - always an unreliable thing.
I think we are all reading "tone" into an internet post - always an unreliable thing
There's extensive threads on every topic you can imagine, this forum is like 20 years old and half of the threads from before 2018 are just packed full of broken links to offsite resources.There is an extensive thread here for developing E-6 film in C-41 chemistry. The results there are much better than your images.
That's probably why you got such an odd blue cast, if I'm remembering reading correctly they use all sorts of tricks to offset the diffusion time to get the cyan layer to develop quickly enough, and the 3'15" c41 dev time is the outcome of the 3 layers reaching the correct density at the correct time.
- regular C-41 processing but extended times: DEV 5 mn (15s agitation, then 2s/15s), BLEACH just to be sure 10mn, same for FIXER. Wash and stab
No, I am not defending Tim - I am challenging your taking offence at something that appears to only be obvious to you. I did not read his post the way you did - perhaps I'm not alone in that?Nice we have someone here to defend his friend.
Did he provide the link of the supposed thread? No. And the tone (why the hell are putting that in quotation?) is pretty obvious. No need to sugarcoat it.
No, I am not defending Tim - I am challenging your taking offence at something that appears to only be obvious to you. I did not read his post the way you did - perhaps I'm not alone in that?
Yes Tim could have been more helpful if he had at hand and shared a link to the thread he referenced. Thanks RPC for providing a link.
Tim is a long time poster - the fact that I respect the posts he has made over the last 13 years doesn't make him a friend, but it does mean that I'm prepared to respond to one of his posts by asking for clarification rather than attacking him.
try use a stronger first developer as that can affect with the color cast.
Mostly has to do with undeveloped silver halides (similar to B&W reversal) which can creat a color cast. Also if OP is using the C41 bleach/blix it will require longer bleaching and that can have an effect as well.What? How would that happen?
Nice results Hunter. When you say you had color cast with rodinal as first developer, what dilution did you use? I have used rodinal as the first developer in B&W reversal at 1:6 dilution. The fact that it is high pH allows swelling of the emulsion for developing all the silver halides.Now everyone calm down here, there's no need for all this squabble over what is largely immaterial. As I see it, nobody was being dismissive or rude here, we are simply seeing disagreement among a subjective opinion.
As to the comment about other images being "better" I didn't see it as being rude. Better can be a subjective term, in this context better could either mean closer or truer to the results achieved in a true E6 process (which is what I take Tim's comment to imply) but it could also imply that Antonio's results were somehow aesthetically or technically inferior (which is why Foc hopped in defensively). I don't think anyone would argue that the results seen above are not one would expect from the same film processed in E6 chemistry, as it shows low contrast and a noticeable color shift towards cyan and perhaps a bit towards magenta as well. To those who scan and digitally edit their films, these may not be concerns.
As to Antonio (if he's still reading this), I also experimented with this process using Provia 100F, and posted some of my results in the thread linked to above, although they may be buried now.
As with the OP of that thread, I found that the older formulations of HC-110 worked best as the first developer, showing higher contrast and saturation than the images shown above. These are straight scans with no manipulation other than dust reduction:
View attachment 276465 View attachment 276466 View attachment 276467
I'd encourage others to continue to work with this concept, as there were deficiencies in the original process. I did not see much use in experimenting with C-41 films in this process as the orange mask prevented direct viewing or projection. Provia 100F and HC-110 seemed to be the only combination that produced results similar to E6 processing, with color shifts noticeable in other films and alternate first developers. Experimenting with a wider range of alternate first developers would perhaps find something else workable, which would be helpful since Kodak reformulated HC-110 and the new version apparently is not as successful as a first developer as its predecessor.
Xtol is a fine black and white developer, but I fear it may not be ideally suited to work as a first developer. It's too slow, although some experimentation with higher temperatures may overcome this, I have also read that ascorbic acid can deactivate color couplers, which if true might explain the reduced contrast and saturation of Antonio's images above since Xtol (or Fomadon excel) is noteworthy as containing ascorbic acid.
I'd be curious to see what Kodak's Polymax-T paper developer does as a first developer, and I think a case could be made for a lower than average dilution of T-max developer, as I find that at 1:4 it behaves a lot like the older HC-110 formulation at dilution B 1:31. Perhaps diluted 1:2, T-Max would behave as a good first developer in this process.
One developer to avoid is Adox Rodinal, although strong enough to be a first developer at lower dilutions, something goes wrong with this developer in this process. I tried it as a first developer with some Provia 100F and found that after the first development, there was already color generated on the negatives. Something in the Rodinal formulation causes color coupling prematurely, which is a problem for reversal development.
Also, the color temperature of light may play a factor in reversal. I recall the OP of the original post mentioned matching the color temperature of the re-exposure to the color balance of the film. I notice that Antonio used a 2700K lamp to re-expose film with a 5000K color balance. This may or may not play a part in the color shift seen, as more experimentation needs to be done. In theory, reversal is done to completion, so the color temperature should not matter. All I can say is that I used a 5000K LED flashlight to get the results above.
One other thing to mention is that if you aren't aware it is much easier to replace the wet film on a plastic reel if you submerge both the reel and film underwater during this process. Trying to get wet film back on a plastic reel can be quite a struggle otherwise, especially in medium format.
Nice results Hunter. When you say you had color cast with rodinal as first developer, what dilution did you use? I have used rodinal as the first developer in B&W reversal at 1:6 dilution. The fact that it is high pH allows swelling of the emulsion for developing all the silver halides.
As for the light re-exposure stage, I have found that it is earlier to not take the film out from the reel and instead submerge it in a bowl of water. Expose each slide of the reel for 1.5 min under 100W lamp (or like me two 50W lamps) and that should be enough. No worries about emulsion damages from putting it back on the reel.
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