I think you're better off with a camera scanning setup and a macro lens or bellows so you can fill the frame with your small negatives.
I think you're better off with a camera scanning setup and a macro lens or bellows so you can fill the frame with your small negatives. In a projection setup, so much is lost in terms of contrast, degradation in the projection surface, optics etc. It's an uphill battle from the start. I'd not even bother.
I've been shooting Minolta 16 format for many years, and I'll be getting a Minox and associated accessories soon -- but these days I mostly scan my negatives, and my flatbed scanner (Epson Perfection V850) despite having very high resolution for medium format or smaller negatives, can't get all that much out of an 8x11 mm frame.
However, many years ago I saw a copy shop making color prints from slides with a projector set up to throw its image onto the scan glass of a color copier (I think there was a Fresnel lens on the copier bed). Since I have an enlarger, and now have a computer that can (probably) operate my scanner in my darkroom, I'm interested in using projection to get more pixels out of a tiny negative (and no, I don't have and can't afford a high resolution digital camera, other than the one in my smart phone that gives me very little control over exposure, contrast, or color and saves only in JPG).
My overall idea is to use the widest lens I can afford for the enlarger (28-35 mm) or try to find my Enlahead (made for Minolta 16, but I think I can mask it for 8x11) and set the enlarger head to give something an 8x10 projected image. I think (in order to have ray direction compatible with the scanner's sensor) I'll need to get one of those "sheet of paper" Fresnel magnifiers; if so, it would be advantageous (I think) to match the head height on the enlarger to the focal length of the Fresnel. What I don't know is how badly the Fresnel's zones will interfere with the scanned image, or whether there's an alternative (a sheet of frosted acetate on the scanner glass, maybe?).
I'd welcome ideas and comments, anything from "You're an idiot, this won't work because X" to "That's brilliant! I'm going to set up my scanner and enlarger this way!"
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However, many years ago I saw a copy shop making color prints from slides with a projector set up to throw its image onto the scan glass of a color copier (I think there was a Fresnel lens on the copier bed).
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Not all pixels are created equal. While theoretically you may be able to get the same number of pixels from both systems representing the same small image size, in practice, the odds are still that you'll get much better resolving power with the camera setup.The only digital bodies I have access to are Nikon D70 and D90, neither one of which will beat the pixel count I can get from my V850 scanning the negatives directly.
Yes, that would be a nice low-budget experiment.I wonder if it would be better to reverse mount the macro or enlarging lens for such small negatives.
My guesstimate of the actual resolution of the V850 is 1600dpi. Sure, Epson can generate many more marshmallow pixels if you ask. Applied to a 13x17mm negative this delivers ~0.88Mpx. The D70 has a 6Mpx sensor. With suitable optics (reversed enlarger lens?), if the negative is imaged to the sensor size, you will get a lot more resolution. Granted, some of the data from the Bayer matrix is massaged to deliver 6Mpx RGB data, but that has been done for quite some years well enough to fool human eyes.The only digital bodies I have access to are Nikon D70 and D90, neither one of which will beat the pixel count I can get from my V850 scanning the negatives directly.
I wonder if it would be better to reverse mount the macro or enlarging lens for such small negatives. I know the original poster isn’t interested but I might tackle scanning some of the many 110 negatives from my father’s collection at some point.
I'm sure I would be if I had (or had money to buy) a suitable digital camera, lens/bellows, and film holding setup. I don't, and likely won't since scanning submini film is probably the only use I'd have for it. The only digital bodies I have access to are Nikon D70 and D90, neither one of which will beat the pixel count I can get from my V850 scanning the negatives directly.
I have the enlarger and scanner already, and would have whether I had Minox negatives or not (the V850 is reasonably okay with a negative as large as the 13x17 frames of my Kiev 30 and 303).
I may try an app I have on my phone that's supposed to bypass all the "magic" smartphones work whenever you take a photo, but I still don't have exposure or color control and can't get an uncompressed image.
I think a piece is frosted Mylar would be better than paper. Paper has too much texture.
So which camera are you going to use to capture the projected image?
He wants to project the image on a scanner, not a camera.
On the other hand, using the enlarger as a slide projector and take a picture of the projected negative with a camera surely was more fruitful than trying to project onto a scanner.
Todays solutions to 'scanning' a negative are getting increasingly simpler and less tribal, so not like the old school 'my Nikon Coolscan 9000 is better than your Plustek 7400 and I'll make war on you if you contradict me'. Yes it has happened. Almost any modern digital camera with a good macro/micro lens is capable of beating any old school scanner, but as the law of returns says, if you have a 4x5 negative to scan use the appropriate camera. But for a 35mm FX (or even DX) camera made this side of 2010 get you have enough of a camera that you don't need to waste your life thinking outside of the box scanning 35mm, or half frame.
But the OP doesn't want to buy any camera better than his D90 which he already has.
And previously I did say his D90 would be 'good enough', you need to read the thread.
If using Silverfast the Epson V850 top optical resolution before files simply become bloated is 2600ppi and if scanning a 35mm negative this would equate to a file of 8.6 megapixels. Given your D90 has 12 megapixels it's still going to beat the Epson. In the scheme of things a 1+1 micro lens isn't a lot of money.
perhaps you could borrow some hardware from a friend or something.
modern digital camera
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