Photo Engineer said:
Pinholes from acid stop bath is a myth unless the film is so soft or the temperature is so high that other problems would be observed. Besides, if the stop caused a probelm, you would see 'blisters' and 'fish scale' rather than pin holes.
Pinholes from air being trapped on the surface of film before or during development are another matter. They leave a small, well defined 'dot'. However, if you notice the pinhole in this example, it has a dark center which is unusual for a pinhole.
First, let me say that I have the utmost respect for your attention here.
From experience, I had experienced numerous small, well-defined areas of *no* density (a.k.a. "pinholes" - or is another term better?) when using "full-bore shortstop" - as I remember it was, specifically,
Kodak Indicating Shortstop, diluted 16ml/ liter.
I had attempted to contact Kodak, numerous times, about "pinholes" - always with the same result: no reply.
I then went to both Ilford and Agfa .. and they
replied that there was a possibility that the strength of the shortstop *could* cause that defect .. and both advised a weaker dilution, or the elimination of acidic shortstop altogether.
I followed their advice, using nothing more than a water rinse, and last month, on
*one* frame of Agfa APX 400 I did notice *a* pinhole, in one frame, the first I'd seen in five or six YEARS of film processing.
I guess the "myth-ness" is dependent on the source of the opinion.
Far less clear in my memory is the source of the idea that "dissolved oxygen" - outgassing during processing (possibility due to the acidic content) resulted in pinholes. The advice there: Let water to be used in mixing developer to stand for a few hours - overnight - to allow oxygen to escape.
I remember something about that - but I cannot comment about its truth, or its source. Suffice it to say, I do NOT use shortstop, of any kind in FILM processing - for what I consider to be good reason.