Pre-visualisation

Sombra

A
Sombra

  • 0
  • 0
  • 16
The Gap

H
The Gap

  • 5
  • 2
  • 59
Ithaki Steps

H
Ithaki Steps

  • 2
  • 0
  • 74
Pitt River Bridge

D
Pitt River Bridge

  • 6
  • 0
  • 82

Forum statistics

Threads
199,004
Messages
2,784,490
Members
99,765
Latest member
NicB
Recent bookmarks
0

Old-N-Feeble

Member
Joined
Feb 22, 2012
Messages
6,805
Location
South Texas
Format
Multi Format
EvH, the problem is your comment was only pre-sarcastic, which affected TL's post-understanding of your post. Had you pre-posted your pre-intention then TL's post-perception of your pre-sarcastic post would have been post-understood. Am I pre-preventing any post post-misunderstandings? Or am I just pre-pretending any pre-pretense of making post-sense of pre-sensible posting?

EDIT: I wonder if there will ever be a Pre-Preparation-H. Would it be applied or pre-applied or post-applied? I pucker to pre-consider the pre-preponderance of such a post-posterior product.
 
Last edited:

Billy Axeman

Member
Joined
Aug 18, 2017
Messages
523
Location
Netherlands
Format
Digital
In theory I can imagine someone can reliably visualize what the end result is before a photo is taken from a scene, but I guess you must have a special talent for that, so I am skeptical it happens as much as people say. Personally I shoot mostly intuitively and let my subconscious brain do the work in the background to detect compositions and patterns. It works very fast and in practice I get interesting photo's all the time.
 

faberryman

Member
Joined
Jun 4, 2016
Messages
6,048
Location
Wherever
Format
Multi Format
In theory I can imagine someone can reliably visualize what the end result is before a photo is taken from a scene, but I guess you must have a special talent for that, so I am skeptical it happens as much as people say.
No special talent is required. Just some practical experience. Previsualization need not be complex. It can be a simple as deciding on N-1 development to hold detail in the highlights or using a red filter to darken the sky. What it does require is some forethought about the image you are trying to achieve.
 

E. von Hoegh

Member
Joined
Sep 14, 2011
Messages
6,197
Location
Adirondacks
Format
Multi Format
In theory I can imagine someone can reliably visualize what the end result is before a photo is taken from a scene, but I guess you must have a special talent for that, so I am skeptical it happens as much as people say. Personally I shoot mostly intuitively and let my subconscious brain do the work in the background to detect compositions and patterns. It works very fast and in practice I get interesting photo's all the time.
That "special talent" is called "craftsmanship". It's relatively easy, if you know how your materials and chemistry work.
 

silveror0

Member
Joined
Dec 3, 2007
Messages
364
Location
Seattle area, WA
Format
Large Format
EvH, the problem is your comment was only pre-sarcastic, which affected TL's post-understanding of your post. Had you pre-posted your pre-intention then TL's post-perception of your pre-sarcastic post would have been post-understood. Am I pre-preventing any post post-misunderstandings? Or am I just pre-pretending any pre-pretense of making post-sense of pre-sensible posting?

EDIT: I wonder if there will ever be a Pre-Preparation-H. Would it be applied or pre-applied or post-applied? I pucker to pre-consider the pre-preponderance of such a post-posterior product.

It seems that stuttering can be a learned capability.
 

E. von Hoegh

Member
Joined
Sep 14, 2011
Messages
6,197
Location
Adirondacks
Format
Multi Format
EvH, the problem is your comment was only pre-sarcastic, which affected TL's post-understanding of your post. Had you pre-posted your pre-intention then TL's post-perception of your pre-sarcastic post would have been post-understood. Am I pre-preventing any post post-misunderstandings? Or am I just pre-pretending any pre-pretense of making post-sense of pre-sensible posting?

EDIT: I wonder if there will ever be a Pre-Preparation-H. Would it be applied or pre-applied or post-applied? I pucker to pre-consider the pre-preponderance of such a post-posterior product.
Please send me a bit of whatever you are ingesting! :smile:
 

Sirius Glass

Subscriber
Joined
Jan 18, 2007
Messages
50,389
Location
Southern California
Format
Multi Format
I do not post process my post-pre-visualizations.
 

TheRook

Member
Joined
May 18, 2016
Messages
413
Location
Philadelphia
Format
35mm
Usually while I am taking a photo, I have a fairly clear picture in my mind what I want the final product -the print- to look like. This helps me work efficiently and also cuts down on wasting film.
I suppose one could call it pre-visualization.
 

Sirius Glass

Subscriber
Joined
Jan 18, 2007
Messages
50,389
Location
Southern California
Format
Multi Format
And one could also call it pre-pre-pre-pre-visualization.
 

Old-N-Feeble

Member
Joined
Feb 22, 2012
Messages
6,805
Location
South Texas
Format
Multi Format
Oops... I've been one-upped. Or is that pre-one-upped?
 

removed account4

Subscriber
Joined
Jun 21, 2003
Messages
29,832
Format
Hybrid
(Pre-) or Visualisation: aesthetics, placement, impact and code of arrangement.
Conceptualisation: the basal idea that will lead to visualisation — the image on film, in-camera, on a plate...whatever.
There is no such word as 'previsualisation' used in tertiary art education, certainly not in photography streams. But C&V are key tenets.

maybe ...
but maybe not
its a book written b y minor white
https://www.amazon.com/Zone-System-Manual-Previsualize-Pictures/dp/B000LCYQJ8
 

Old-N-Feeble

Member
Joined
Feb 22, 2012
Messages
6,805
Location
South Texas
Format
Multi Format
Not a big deal... just a Minor mistake. :smile:
 

E. von Hoegh

Member
Joined
Sep 14, 2011
Messages
6,197
Location
Adirondacks
Format
Multi Format
I agree it's being able to visualize the eventual outcome on the printing paper before you release the shutter.
I don't know what the big debate is about.
A machinist knows what the finished part will be, to literally hairsplitting tolerances; a sculptor "sees" the finished object within the block of stone, a carpenter within the wood, etc..
Taking a picture without some idea what the finished image will be is like throwing darts blindfolded.
 

Old-N-Feeble

Member
Joined
Feb 22, 2012
Messages
6,805
Location
South Texas
Format
Multi Format
I agree that we can and should visualize what the finalized image should look like. My silly comments were only about the nonexistent word "previsualize". A famous photographer grammatically erred resulting in endless repetition of the same made-up word which makes no sense whatsoever. The word "visualize" is the appropriate word. "Visualization" is already what we do before we take action. How do we prepare for visualization? I suppose we could meditate for thirty minutes in preparation for visualization. That might qualify as previsualization but I'd call that visualization preparation.
 

E. von Hoegh

Member
Joined
Sep 14, 2011
Messages
6,197
Location
Adirondacks
Format
Multi Format
I agree that we can and should visualize what the finalized image should look like. My silly comments were only about the nonexistent word "previsualize". A famous photographer grammatically erred resulting in endless repetition of the same made-up word which makes no sense whatsoever. The word "visualize" is the appropriate word. "Visualization" is already what we do before we take action. How do we prepare for visualization? I suppose we could meditate for thirty minutes in preparation for visualization. That might qualify as previsualization but I'd call that visualization preparation.
"Visprep". :smile:
"Proactive" is another, phrases such as "x year anniversary", "removed out of" etc., all are beloved by the not-quite-literate.
 

Bill Burk

Subscriber
Joined
Feb 9, 2010
Messages
9,318
Format
4x5 Format
I always figured previsualization was simply understanding what shade of gray to expect something in your subject will appear on the print.

And the Zone System "Zones" are a good way to relate the meter readings to the print.

When you can see something in your picture will turn to black (or less), you can think whether you should make a different picture, modify the light or accept the shades of gray that you are going to get.

ZoneSticker.JPG
 

RalphLambrecht

Subscriber
Joined
Sep 19, 2003
Messages
14,657
Location
K,Germany
Format
Medium Format
Is he term pre-visualisation a con to make believe what was seen is how the outcome was controlled, when the outcome could be accidental to the MO?
there is no such word and the term can simply be replaced with 'visualization, meaning that you are striving for an outcomesimlar to what you foresaw for a final image.
 

tedr1

Member
Joined
Feb 3, 2016
Messages
940
Location
50 miles from NYC USA
Format
Multi Format
I use film, so for me it's about getting it right, the first and only time, on the film. Where I want shadow detail, where I don't, which if any filter to use, what do I have to do now, in the field, to get a negative that will allow me to make the print I see in my head. There's no preview beyond what I see on the groundglass, and the "review" happens when the sheet is developed and printed. With TXP 8x10 now at $12 per sheet, it damn well better be right the first time.

I question this argument.
At the camera while preparing to make an exposure our perceptions and technical skills are guiding the decisions we make. Data is not infinite, thinking is not perfect, time is not unlimited, humans experience mental and physical fatigue. These factors combine to influence our aesthetic and technical choices. The outcome is unlikely to be perfect, no matter what the price of the materials is.
When visual preview and review tools are added to the camera we are able to inspect the captured image before leaving the location, the opportunity to make further adjustments and make another exposure does not decrease the prospect of a "perfect" image, rather it is increased. I submit that with film this does not happen, we are the weak link in the chain, we are unable to process the consequences of multiple adjustments in real time to the required accuracy, with the result that with no image review the image is more likely to include a flaw rather than less likely.
Data memory is inexpensive. (It is batteries that eat up the dollars)
 

E. von Hoegh

Member
Joined
Sep 14, 2011
Messages
6,197
Location
Adirondacks
Format
Multi Format
I question this argument.
At the camera while preparing to make an exposure our perceptions and technical skills are guiding the decisions we make. Data is not infinite, thinking is not perfect, time is not unlimited, humans experience mental and physical fatigue. These factors combine to influence our aesthetic and technical choices. The outcome is unlikely to be perfect, no matter what the price of the materials is.
When visual preview and review tools are added to the camera we are able to inspect the captured image before leaving the location, the opportunity to make further adjustments and make another exposure does not decrease the prospect of a "perfect" image, rather it is increased. I submit that with film this does not happen, we are the weak link in the chain, we are unable to process the consequences of multiple adjustments in real time to the required accuracy, with the result that with no image review the image is more likely to include a flaw rather than less likely.
Data memory is inexpensive. (It is batteries that eat up the dollars)
It's not an argument but a description of how I work with large format cameras, 100% of the time. I have a similar often less structured process with mf and miniature cameras.
There is no modern digital eqivalent of the view camera, so it's the ONLY way I can get what I want, every time.
Visualisation works, period.
 
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links.
To read our full affiliate disclosure statement please click Here.

PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Ilford ADOX Freestyle Photographic Stearman Press Weldon Color Lab Blue Moon Camera & Machine
Top Bottom