Post your woodland scenes!

GLS

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Linhof Technikardan S45, Nikkor-M 9/300, Velvia 50

 

bripriuk

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Coldfall Wood, North London, UK
1937 Ihagee Parvola, 120 Fomapan 100 cut down to 127, Rodinal 1+50, 9 minutes.
 
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GLS

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Linhof Technikardan S45, Rodenstock Grandagon-N 4.5/90, center filter, Ektar 100.

 

Philippe-Georges

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Newfoundland Regimen Memorial, Canadian Commonwealth WWI Cemetery, Beaumont-Hamel, Somme, France
Excerpt from my book 'OPUS 14-18'.



Hasselblad SWC/M loaded with Tri-X exp. at box speed, hand held, and processed in Pyrocat-HD.
Wet scanned on an Epson 750 and processed in LRC for internet
 
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pbromaghin

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What a wonderful thread! Somehow missed it in it's several runs.
 

Philippe-Georges

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Meersemhof, Gent, Belgium
Robert Rigby pinhole 4"x5", Tri-X in Pyrocat-HD



Wet scanned on Epson 750 and prepared for internet with LRC.
 

Philippe-Georges

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Near Durbuy, Prov. de Luxembourg, Belgium
Linhof Technorama 617 + Schneider Super-Angulon 90mm + Yellow filter (no center filter), handheld.



Tri-X @ 1000 ASA processed in E-76 1+1, wet scanned on a Epson 750.
 

Philippe-Georges

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Near Durbuy, Prov. de Luxembourg, Belgium
Linhof Technorama 617 + Schneider Super-Angulon 90mm + Yellow filter (no center filter), handheld.



Tri-X @ 1000 ASA processed in E-76 1+1, wet scanned on a Epson 750.
 

Philippe-Georges

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Meersenhof, Gentbrugse Meersen, Gent, Belgium



Robert Rigby pinhole 4"x5", Tri-X in Pyrocat-HD, wet scanned on Epson 750 and prepared for internet with LRC.
 
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The woods may often look picturesque, but making interesting pictures of them isn't that easy. I'm very, very impressed by the pictures in this thread. You make it look dreamy and effortless.
 

Philippe-Georges

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Meersenhof, Gentbrugse Meersen, Gent, Belgium



Robert Rigby pinhole 4"x5", Tri-X in Pyrocat-HD, wet scanned on Epson 750 and prepared for internet with LRC.
 

Philippe-Georges

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Meersenhof, Gentbrugse Meersen, Gent, Belgium



Robert Rigby pinhole 4"x5", Tri-X in Pyrocat-HD, wet scanned on Epson 750 and prepared for internet with LRC.
 

Philippe-Georges

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Somewhere in the Limousin, France.



Robert Rigby pinhole 4"x5", Tri-X in Pyrocat-HD, wet scanned on Epson 750 and prepared for internet with LRC.
 

awty

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The woods may often look picturesque, but making interesting pictures of them isn't that easy. I'm very, very impressed by the pictures in this thread. You make it look dreamy and effortless.

The effort is: TIME, TIME and MORE TIME...
Agreed.
A lot of the ones I do are meticulously planned. You first need to train your eye to see, then I use a view finder to work out where everything needs to be, branches, rocks, clouds etc. and most importantly the light. select the correct materials and tools to do the job, then work out when the time is best.
The picture above was planned a year in advanced, as the sun is only in the right spot in April, then need to time the tide to be in the right spot at 4.30pm. Then map out in your head how to best achieve your vision in the dark room by dodge and burns and toning selections.
Others you just walk in on and everything is bang on and you can go back to at a later stage and the light and magic just doesn't work the same.....so be prepared.
 

Philippe-Georges

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somewhere in the Limousin, France.




Robert Rigby pinhole 4"x5", Tri-X in Pyrocat-HD, wet scanned on Epson 750 and prepared for internet with LRC.
 

Philippe-Georges

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Somewhere in the Limousin, France.



Robert Rigby pinhole 4"x5", Tri-X in Pyrocat-HD, wet scanned on Epson 750 and prepared for internet with LRC.
 
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