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It seems to me that this thread is dormant. My last attempt to revive it. Cheers, SnC.

Not all of us can get out and shoot street photos every day, as it seems you do. Outside work, half my time away from home is in the dark, along a fixed route.
 
Donald, my apologies if I offended anyone. I am retired and, yes, with Covid-19 limitations, I can shoot whenever I want. I am now avoiding busy public places and the outlying areas of Ho Chi Minh City are a safe place to take pictures. Cheers, SnC

 
I suspect the urban landscape thread is where most of my stuff belongs. Always wandering around Tokyo and Saitama City with a camera.

Play Structure by David Munson, on Flickr

A play structure in an old apartment complex in Omotesando, Tokyo. Hasselblad, 80mm, ACROS in Fujifilm Super Prodol.
 
We spend so much time arguing about and comparing B&W films, yet the three photos above were made using three different films. Most will say these emulsions are miles apart yet the results look very similar to me now, just a couple of months after these were taken.
 
We spend so much time arguing about and comparing B&W films, yet the three photos above were made using three different films. Most will say these emulsions are miles apart yet the results look very similar to me now, just a couple of months after these were taken.
That is because they have all been digitized and post-processed by the same person, than squeezed into the Photrio display space.
Have you printed any of them?
PS I like all three.
 
No. But I would expect spectral sensitivity differences to be more noticeable when you put so different films next to each other. (Foma 100, Tri-X and Kentmere 100).
 
It is tough to do spectral sensitivity comparisons with three different examples, no people and foliage in only one of the three.
 
I suspect the urban landscape thread is where most of my stuff belongs. Always wandering around Tokyo and Saitama City with a camera.

Play Structure by David Munson, on Flickr

A play structure in an old apartment complex in Omotesando, Tokyo. Hasselblad, 80mm, ACROS in Fujifilm Super Prodol.
Nice tones, David. It jumps out.
 
I'll give it a try with the Alboni street in Paris, a short street that is almost perfectly aligned with the Bir-Hakeim bridge where some subway lines go over the Seine.
Alboni_10.jpg
 
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