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Edison's Chemistry Lab.

Rolleiflex 2.8E2, Ilford Delta 3200.

 
Oysters




Hasselblad Flexbody — S-Planar 120 — no filter — vertical adjustment — F1:16 t1/2 sec — Tri-X/120 @ box speed — natural light — XTOL 1+1 — Epson 750
 
Polaroid i-Type with Sinar F, 180mm
(Using Mercury Camera Polaroid back)
 

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Toilet paper holder

Ilford Delta 3200, developed in Rodinal. Chinon CE2 Memotron + Chinon f1,4 55mm

 
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Mathematician's Sideboard
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.5cm,
from a Kodak Tmax 400 120 format negative exposed in a Mamiya RB67 single lens reflex camera fitted with a 127mm f3.8 lens.
 

Wonderful, was clipping the right edge intentional? It make the scene look much more extemporaneous but I think maybe it takes away from the contrast between the geometric and the round (or bouba and kiki if you know about that)
 
Guy S said:
Wonderful, was clipping the right edge intentional? It make the scene look much more extemporaneous but I think maybe it takes away from the contrast between the geometric and the round (or bouba and kiki if you know about that)
Click to expand...
Yes, the crop on the right is intentional simply because it was an empty space. The left edge needed the points of the crystallographic models very close but not touching for a hint of visual tension. A large knot in the wooden sideboard links the disparate groups. Inorganic, organic; sharp, round ... bouba-kiki indeed!
 

It is nice to read how you as a maker view the composition. I as a spectator looked at it differently. For me, it was about rhythms. That's why I think it's an attractive photo.
 
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