@Moose22 @etn .....I still have some 20 sheets of V-50 4x5 I'm saving at this point. I have no 120 rolls in V-50.
As far as the Ektachrome E-100 when I first saw it on the light table I thought I was looking at the old Astia 100. Has green/yellow tendency. It seems pretty decent in the shadows to a point. I did not see a bunch of noise after scanning.
As we're all aware each of these does have a color lean toward either V-50 red/magenta, Provia blue/cyan and so far for me E-100 green/yellow.
Not a fan of any of the casts per se but at least after years of using PS if I care to remove the cast or push in a certain direction I'm able to do so to a point. So, it's another learning curve on what was a given in red/magenta is now a tweak in either blue/cyan or green/yellow.
I truly hope Fuji keeps Provia. It's reciprocity factor is excellent.
Thanks. Interesting perspective. Mine goes along those lines too. I only shot a few E100 rolls so far (more to test them than anything else), the colors are indeed very different and to me more artificial than V50. My partner did not like E100 colors at all, which settles the point I guess.
For nature, landscapes, cityscapes (=90% of my color photography), V50 remains my favorite due to its well saturated colors. In the rare cases of "general purpose / low light" slides I use Provia 400X. Still have a freezer full of it which I hardly use. If I am on a tripod I can as well shoot V50! Its reciprocity characteristics, although nowhere near Provia, are good enough to me.
My post above is with the Zodiak-8 (on a Kiev-88), I also have the Arsat 30mm modified to a hasselblad mount. I've shot that one beside a friends 30mm Distagon, and ... the Distagon is better.There is also the ZODIAC-8/ARSAT 3,5/30mm for Kiev 88. From the pictures I have seen, it seems to be as good for a fraction of the Distagon price. Maybe it's even a bit less distorting. I will get one in a week or so, so I will know then...
Well done, I am jealous!
I don't think of fisheye with aviation, street, or any of that.... this has it all. Perfect location, buildings for framing, composition, and decisive moment all spot on.
Wildcat Den State Park, shot in the Fall with Norita 66 and 40mm Noritar wide angle lens. Image shot on Fuji Chrome Velvia film.
Image shot with a Bronica S2A, used the standard 75mm Nikkor lens with a cheap wide angle accessorie lens hack. Shot on AGFA PAN 100.
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