Post your landscape photos here

[Jim Peterson]

Pilings, Holy Island of Lindisfarne, England

View attachment 407720

Really nice ethereal composition.

 

[jeffreyg]

A few more all on Ilford Delta 400 120:
Capitol Reef

Thor's Hammer, Bryce Canyon

Corral

Gyser, Yellowstone N P (cropped the bottom to eliminate a sign)

 

[oinkmoo32]

Nothing remarkable but the typical postindustrial sprawl you see in the suburban Washington D.C. area.

 

[Jon Buffington]

Just catching up from being out of town this past weekend. Very nice work everyone!

 

[Jon Buffington]

Somewhere in Coffee, Co, TN. Delta 100, canon a1, a zoom lens

 

[Stephen Benskin]

Penobscot Bay, Maine (revised)

 

[Anon Ymous]

Near Salaora, Ambracian gulf, Greece. Canon 450D 18-55 IS STM kit lens.

 

[Jim Peterson]

First Dusting, Canadian Rockies, Mamiya 7ii, Rollei Retro 80S

 

[Stephen Benskin]

Death Valley, CA (revised)

 

[grahamp]

First Dusting, Canadian Rockies, Mamiya 7ii, Rollei Retro 80S View attachment 408614

I love the the snow brings up the features of the mountains. It makes both the photographer and geologist in me happy!

 

[Stephen Benskin]

First Dusting, Canadian Rockies, Mamiya 7ii, Rollei Retro 80S View attachment 408614

Nice one Jim. Excellent.

 

[hyperindex]

Netherlands, Noordwijk
Minolta SRT101, 50mm f1.7
T400CN, expired in 2002

 

[pbromaghin]

Waikiki in IR. Voigtlander Bessa I 6x9, Rollei IR400, R72, Ilford glossy MGRC.

 

[pbromaghin]

Diamond Head lighthouse in IR. Voigtlander Bessa I 6x9, Rollei IR400, R72, Ilford glossy MGRC.

 

[Franswa]

A previously shared photo, now as a Platinotype

@CreationBear It's a challenge to get my borders right with this emulsion!

 

[CreationBear]

It's a challenge to get my borders right with this emulsion!

Ha, I actually “read” Pt/Pd as kind of a jumped-up silver gelatin, so I appreciate clean borders. (You can mask with low-tack art tape when coating and get a bit more brut with the edges.)

At any rate, I’ll be interested if the juice remains worth the squeeze in terms of process—I wouldn’t walk away, though, before trying heating your developer to kick the print over to the warm side.

 

[Stephen Benskin]

Dawn, Mono Lake, CA

 

[Taylor Nankervis]

Early morning at Lion Headland and Gellibrand River,
Great Otway National Park, Princetown, Victoria, Australia.
...
Pentax 67ME, RVP50, K-CPOL, multispot/AVG metered.
RA-4 print, MGCF. In three private collections.

 

[skahde]

First Dusting, Canadian Rockies, Mamiya 7ii, Rollei Retro 80S

Something is going on with your scanner, there are streaks in the sky and the trees on the upper left have a strong, bright outline.

 

[Franswa]

It's a challenge to get my borders right with this emulsion!

Ha, I actually “read” Pt/Pd as kind of a jumped-up silver gelatin, so I appreciate clean borders. (You can mask with low-tack art tape when coating and get a bit more brut with the edges.)

At any rate, I’ll be interested if the juice remains worth the squeeze in terms of process—I wouldn’t walk away, though, before trying heating your developer to kick the print over to the warm side.

I also worry any masking I do won't be even, which I think could be even more distracting...will have to try some things.

I think it's worth the squeeze especially when looking at the print in person. The developer that came with the kit is sodium acetate based and it definitely yields a more neutral tone and it's not until the other steps in the process where I get the brown kallitype appearance, which is then changed again from the platinum toning. When hung to dry the print does have a warmer tone to it but that seems to become more neutral the more the print dries. As of now there is still some visible warmth that is hard to capture in the scan. Sometime soon I'll mix up a sodium citrate developer soon along with a sodium thiosulfate fixer(not seeing much evolution in the print when fixing with EDTA. First, I gotta sort out what's happened to the backing of my print frame that's causing a blurred edge in some of the prints.

 

[CreationBear]

distracting...will have to try some things.

Excellent, thanks for showing the drying print—the original is definitely one that’s hard to appreciate on-screen since there’s such a discrepancy in brightness between the sky and foreground that the shadow detail seems crushed. The tonal range definitely comes across better in the one on the clothesline.

FWIW, if you’ve not yet, you might check out Bill Schwab‘s YT videos—y’all seem to working the same side of the street.

 

[Jim Peterson]

Death Valley, CA (revised)

View attachment 408636

Death Valley, CA (revised)

View attachment 408636

Nice Art Work. I imagine this would make a nice print. I like all the black negative space.

 

[Franswa]

distracting...will have to try some things.

Excellent, thanks for showing the drying print—the original is definitely one that’s hard to appreciate on-screen since there’s such a discrepancy in brightness between the sky and foreground that the shadow detail seems crushed. The tonal range definitely comes across better in the one on the clothesline.

FWIW, if you’ve not yet, you might check out Bill Schwab‘s YT videos—y’all seem to working the same side of the street.

I did happen across some of Bill's videos recently. Went back to check more yesterday and saw the one he did about masking, so I gave it a try

 

[CreationBear]

Ha, Bill definitely takes the belt+suspender approach, but I think it fits his “classical” subject matter. BTW, I saw you managed to find the photogravure on FB—it didn’t get the love it deserved at first, but hopefully you can see why I was nudging that direction.

 

[skahde]

Callanish Standing Stones, Isle of Lewis, Scotland (revised)

Very dramatic sky! I'm not sure if the flat lighting of the foreground goes convincingly with it. Maybe you could tune down a bit on the differences between the layers. Also, the stones show wormy structures when viewed in full resolution. A little bit less of everything could enhance the picture maybe.