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Arklatexian

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Shreveport,
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Thank you for the kind words about the photograph. I suppose you are right; we could classify it as a tree portrait. Here is another landscape, a view of the Kansas City Southern rail tracks in Vicksburg, Mississippi, when it was snowing in January. Yes, we sometimes do get snow in Mississippi. This is Fomapan 100, exp. at EI=80, with a Hasselblad 501CM and 80mm Planar CB lens.

View attachment 207815
Cross the Mississippi River on these tracks and you will be on the old V,S, & P railroad (Vicksburg, Shreveport and Pacific). Someday there could be passenger trains using these tracks connecting Atlanta, GA and Dallas, TX, though not in my lifetime. I don't think we got that snow. Nice railroad picture. I liked the "square" format. Hasselblad seems to be a favorite rail film photographer's camera hereabouts.......Regards!
 

Arklatexian

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Thanks...I did not notice any of Ansel's tripod holes in the immediate area.
If, after setting up my tripod, I noticed that I had used Ansel's tripod holes, I would know that I had done at least one thing right......Regards!
 

lonelyboy

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Nov 27, 2005
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Hong Kong
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North Xin Jiang, China

Hasselblad 501CM + CFi250 + Fujichrome RDPIII + Nikon LS9000ED


20181005_208.jpg
 

amellice

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Dec 12, 2012
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Snohomish, WA
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these are beautiful, congrats

A sort of comparison between Fuji Velvia 50 and Kodak Portra 160. The film are essentially the opposite, the first is a high contrast transparency film with 5 stops of dynamic range, while the second is a color negative film with an insanely large latitute---everything slooowly fades to white.
It is a sort of comparison because the two images were taken a few minutes apart and the light was very different: too much contrast for Velvia with the sun out. Both images were taken with a 3-stop soft edge graduated filter to control the sky.
Which one do you like most?

I prefer the velvia image. I find velvia to be very true to life when carefully exposed on low contrast scenes.
The two images were taken at Cape Cod; I think they captured many aspects of the northern part of the cape: the big dunes, the particular shrubby vegetation, the barely traveled sand roads, and the amazing light. However, I am not convinced by any of the two shots and I find them too much chaotic for my liking. Still, it was a fun morning and I think the images are worth sharing.
 

marcofimages

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Jul 29, 2018
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Pittsburgh
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The last minutes of a cloudless sunset in Cape Cod.

4x5 Velvia 50 (Cropped) - Fujinon A 240 mm at f 32

Duneland-pano.jpg


If you are interested the is a short video about more details on this image (towards the end at min 7-8 to min 10)
 

Holden

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Mar 2, 2009
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North Carolina
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8x10 Format
Linville Gorge, NC
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Arista Edu 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan


24235096125_035b261c14_z_d.jpg
 

Old-N-Feeble

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South Texas
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There's some truly beautiful work in this thread. Below is my first attempt in nearly forty years at shooting something just for fun and just for myself. It's completely digital and manipulated so if it doesn't belong here then I'll delete this post... just let me know.

0d3ae2f6-dee9-442d-9127-e4b3b21ac4ab-original.jpg
 
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Anon Ymous

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Feb 7, 2008
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Greece
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35mm
Olympus OM2S, Zuiko 28mm f/2,8
Kodak ColorPlus 200, developed at home using @stefan4u C29 developer formula
Film scan, Minolta Scan Dual III

17-3-500px.jpg
 

BAC1967

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Oct 30, 2014
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Bothell, WA
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Shipwreck Point on the Strait of Juan de Fuca near Neah Bay, Washington. Photographed with my mothers old Kodak Brownie Reflex 127 camera using Ilford HP5+ film. The film was developed in Beerenol (Henry Weinhard's Beer).

Shipwreck Point by Bryan Chernick, on Flickr
 
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