Thanks Stephen, like wise.Another great image. I don't comment on all the ones I like of yours, but it's a lot.
Thanks Stephen, like wise.
Your cathedrals all look brightly lit, is the the way they are? Ours are always dark and dingy, probably trying not to cook the congregants.
I think in the case of Winchester from the quire section is that it's relative. The quire is darker than the nave in front of the screen and it's enclosed by dark wood panels. Bring the quire up using a long exposure lightened the nave ceiling, which is how I wanted it. They say gothic cathedrals are supposed to be all about the light.
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Since I'm commenting, my favorite of the thread so far is the Wells Cathedral, England one. The arch into the other arch draws my eye, upper right to lower left (opposite of normal) and there's something to find in the details each step of the way.
Amazing artistic view. Looking more fascinating in black and white. Really worth a visit.
I just thought it looked cool.Seriously, I appreciate the analysis.
That's the thing, it does "just look cool."
But I kept going back to it. Enough I kind of wanted to think about why. I've been playing with composition this past year, so maybe that's the reason I get a little wrapped up in whys, but I do.
Generally I appreciate the work you're sharing. Makes me want to go back to some places I visited over the years and think about my exposures more. Looking at some of what I have online I did try to get some different angles some places:
It's definitely a good idea to frequent a place as much as possible. I believe it takes multiple visits to get past responding to the obvious..
Fantastic. And technically, fantastic -- depth of field and exposure.
I think this is a good example of an artist seeing a composition a non-artist would never see.Wells Cathedral, Somerset, England
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