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Sirius Glass said:
The question is how best to set the exposure:
  • Like it is here to show the choir detail
  • Less exposure to keep the stain glass from being washed out
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I wanted to retain some detail in the darkest shadows (the upper window frames). As such the windows metered at +6 stops above middle grey. Also I was into reciprocity failure so the exposure was 90 seconds long. Even so the Portra still handled it well. During conversion I could have easily pulled back the windows more, but I didn't want to lose the sense of luminosity in the process.
 

Take two photographs and decide later is another route.
 
GLS said:
Sure, but at £12 a pop it pays to have some clarity of purpose
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Someone has to stimulate the economy. If not you, who?
 
A bit more balanced version. The top middle is Wells. Most recently seen in the film Dungeons and Dragons: Honor Among Thieves.

 
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GLS said:
Lovely. The sense of airy luminance comes across very well.
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Good to hear. My initial approach was to go more high key with the ceiling. It lacked the feeling of depth that I believe this version brings. As I get older, I'm finding subtlety can be more dramatic, while at the same time, much more difficult to achieve.
 
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OSU Library of Geology Atrium 1989 by Nokton48, on Flickr

  • Ohio State University Library of Geology 1989. 4x5 Sinar Norma 90mm F8 Norma Schneider Super Angulon, Yellow Norma Glass Disc, Ilford HP5 (not +) Four Minutes at F22. D76 1:1 8x10 Fortezo fibre print Dektol Omegalite 4x5 DII 180mm black Rodagon.
    I always liked this one alot. The mineral stratification on the walls in the lobby, are identical to the stacking of mineral deposits in this area. I like the various fossil imprints which influenced the overall architecture of the space.
 
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