Post Your Interior Architectural Photographs here
-
- Thread starter Sirius Glass
- Start date
Recent Classifieds
-
Want to Buy WTB: 120 double stainless tank
- Started by brian steinberger
-
For Sale Minolta DiMage Elite 5400 with issues
- Started by Saganich
-
For Sale Kodak 2422 direct positive film, already cut, ready to ship
- Started by MCB18
-
For Sale Konica AS2(no meter)
- Started by Acere
-
Want to Buy 120/220 backing paper
- Started by MCB18
Forum statistics
San Xavuer de Bac Mission, Tucson, AZ
All Saints Chapel, Univ of the South, Sewanee, TN. RZ 67 pro II, 50mm (I think) lens, expired portra 160
Interior, St Margart's Church Hemingford Abbots England. Mamiya C220 80mm f2.8 'Blue Dot' Sekors, 1999 outdated Fuji ASTIA 220 size rated 100ASA
Hemingford Abbots 02 by Peter Elgar, on Flickr
St Peter's Church South Weald Essex England PENTX 6x7 Mk II + SMC -Takumar Shift 75mm f4.6 2004 outdated PROVIA 100 F
St Peters South Weald 03 by Peter Elgar, on Flickr
Hemingford Abbots 02 by Peter Elgar, on FlickrSt Peter's Church South Weald Essex England PENTX 6x7 Mk II + SMC -Takumar Shift 75mm f4.6 2004 outdated PROVIA 100 F
St Peters South Weald 03 by Peter Elgar, on Flickr
In the ruins of St Bavo's Abby Gent, Belgium.
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter, on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC.
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter, on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC.
In the ruins of St Bavo's Abby Gent, Belgium.
Scriptorium (what's left of it).
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter (apperture F1:22 for lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC
Scriptorium (what's left of it).
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter (apperture F1:22 for lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC
In the ruins of St Bavo's Abby Gent, Belgium.
The refter, now used shelter a collection salvaged emblematic tombstones.
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter (apperture F1:22 for lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC
The refter, now used shelter a collection salvaged emblematic tombstones.
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter (apperture F1:22 for lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC
Nice series, especially this one.
Thank you GLS.
But, just out of plain curiosity, may I ask why you prefer this one (above the first two), be frank?
In the meantime, may I show you this one?
I know, these aren't really interior photographs, but the roof, which must have been wonderfully arched, is simply gone...
Last edited:
In the ruins of St Bavo's Abby Gent, Belgium.
The Clôtre as seen from the Salle Capitulaire via the Couloir Nord.
Silvestri SLV + S-A 47mm + Center-Filter, orange contrast filter (apperture F1:22 for lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC (the same for the previous photograph).
The Clôtre as seen from the Salle Capitulaire via the Couloir Nord.
Silvestri SLV + S-A 47mm + Center-Filter, orange contrast filter (apperture F1:22 for lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC (the same for the previous photograph).
Last edited:
Hmmm, difficult to put my finger on it exactly. For me I just find the overall composition in that one to be a bit more effective, with the strong rhythms and leading lines set up by the various structures, counterpointed and anchored by that lone object (plinth?) in the right foreground. Also the fact that there are no objects very close to the camera helps hide the warping effect of the super wide angle lens; something I am not personally too fond of.
I love this one! Are you shooting 6x9?
Thank you for your appreciation.
Yes, I am shooting 6x9 (56x82mm), with WISTA roll film backs on the Silvestri.
In the ruins of St Bavo's Abby Gent, Belgium.
The Salle Capitulaire seen from the Lavoire via the Couloir Nord-Ouest. of the Cloître.
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter (apperture F1:22 for maximum lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC.
For those who are interested, here is an old floor plan of this abby:
The Salle Capitulaire seen from the Lavoire via the Couloir Nord-Ouest. of the Cloître.
Silvestri SLV + S-A 47mm + Center-Filter, no contrast filter (apperture F1:22 for maximum lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC.
For those who are interested, here is an old floor plan of this abby:
Last edited:
Seeing increased activity in this topic, I'll just say that some of these could fit into current month's MSA: "Beauty Of Deacay"
www.photrio.com
MSA O/N June 2024 - "The Beauty Of Decay"
This month's assignment is: The Beauty Of Decay Let's see your images that show subjects that are in decay, failure, ruination, or broken down but are yet somehow beautiful or compelling. The important part isn't really the "decay". The important part - and the shooting challenge - is to...
www.photrio.com
It's lovely!
Thank you tnp651.
In the ruins of St Bavo's Abby Gent, Belgium.
Acces, along the wall of the Refectoire, from the Jardin Ouest to the Couloir Nord-Ouest du Clôtre (again, the roof is gone).
Silvestri SLV + S-A 47mm + Center-Filter and Red contrast filter (apperture F1:22 for maximal lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC.
I know, I was to enthusiast performing the vertical shift, but I don't care. And it isn't due to the red filter as this one is 82mm diameter which is mounted via an adapter on the center-filter (67mm)...
PS: I made a mistake in the location describtoin in the previous post: it is not the Clôitre Nord-Ouest but must be Nord-Est.
Acces, along the wall of the Refectoire, from the Jardin Ouest to the Couloir Nord-Ouest du Clôtre (again, the roof is gone).
Silvestri SLV + S-A 47mm + Center-Filter and Red contrast filter (apperture F1:22 for maximal lateral shift) on Hp5+ in XTOL 1+1 14min 20°C, scanned neg. on Epson 750, post processed in LRC.
I know, I was to enthusiast performing the vertical shift, but I don't care. And it isn't due to the red filter as this one is 82mm diameter which is mounted via an adapter on the center-filter (67mm)...
PS: I made a mistake in the location describtoin in the previous post: it is not the Clôitre Nord-Ouest but must be Nord-Est.
You're getting some lovely, moody low-key effects. I love them!
Museum Zeche Hannover (former coal mine) in Bochum, Germany.
Canon 7s, Jupiter-12 2.8/35mm (wide open or little stepped down).
Orwo/Wolfen NP100, Adox XT-3, 1+2, 12 Min.
The negatives are a little bit too thin. Under developed and under exposed.
With the low light condition indoor, a 400 ISO film would have been a better choice.
Flatbed scans from the silver gelatine prints on RC paper.
Canon 7s, Jupiter-12 2.8/35mm (wide open or little stepped down).
Orwo/Wolfen NP100, Adox XT-3, 1+2, 12 Min.
The negatives are a little bit too thin. Under developed and under exposed.
With the low light condition indoor, a 400 ISO film would have been a better choice.
Flatbed scans from the silver gelatine prints on RC paper.
-
- Drew B.
- Deleted
Your images are beautiful. Love this one as well.
| Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links. To read our full affiliate disclosure statement please click Here. |
PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY:  |