OP
OP
With some of your photographs I feel like I can touch the details, flakes, ...
Post your abstract photographs here
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- Stephen Benskin
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Water movement over rocks. 35mm Nikon F2, 20mm, FP4,
Dune Detail, Death Valley, CA
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Stacked Chairs, Norwich Cathedral, England
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OP
OP
I would not have seen that as a subject for a photograph.
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Wellington horse race track, Oostende, Flanders, Belgium.
Linhof Technorama 617 + Super-Angulon 90mm, Kodak TMY @ 1600 ASA processed in X-Tol 1+1, wet scanned on Epson 750.
Linhof Technorama 617 + Super-Angulon 90mm, Kodak TMY @ 1600 ASA processed in X-Tol 1+1, wet scanned on Epson 750.
Pleasing to the eye! Bleached?
Kinda; 50D (and 2 Kentmere 100) bulk load scraps simultaneously treated with ECN-2 developer & copper sulfate bleach. Washed, bleach-bypassed, and fixed. Scanned as a color negative image with a black -> white substitution. I may try bleaching a few of the 50D chips to see if there's any dye under the silver.
The individual chips are interesting as chemigrams by themselves but arranging them allows you to add yet another layer of... abstraction
Woah, that's something I'd love to project if it makes funky colors/patterns!
That particular stock isn't suited for projection as-is. You'd likely want to use an E-6 or ECP-2 stock without an integral orange mask. RA-4 & traditional silver gelatin paper is also commonly used in such pursuits, but not as a candidate for projection.
'Exposure' can be performed chemically on a completely fogged medium, as above, or perhaps in the darkroom with some combination with LEDs, combusting metal salts, or a carefully controlled prism. At some point I'd hesitate to call it a 'photograph' but its a fun tangent if you've already got the materials on hand.
'Exposure' can be performed chemically on a completely fogged medium, as above, or perhaps in the darkroom with some combination with LEDs, combusting metal salts, or a carefully controlled prism. At some point I'd hesitate to call it a 'photograph' but its a fun tangent if you've already got the materials on hand.
Thanks for info - amazing!
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Lovely shot! I need to take a trip here soon...
Reminds me of Tina Modotti's work!
Ripples, Noosa River
Gelatin-silver photograph on Fomabrom Variant111 FB VC photographic paper, image area 16.3cm X 21.4cm, from a Kodak Tmax 100 negative exposed in a Mamiya RB67 single lens reflex camera fitted with a 360mm f6.3 lens.
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Nice, @Stephen Benskin . Good play of light and darkness (and bird lime).
The beauty of black and white. Thanks.
OP
OP
Lava or mud?
I vote charred wood ...
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