"So I have two choices: I can either do these images from a speeding car, or I can stand there with a blanket over my head, and look like such a prick that somebody's going to find me through their rifle scope and think: Oh! What's that? Let's go down and have a look... I can’t believe that photographers go into war zones dressed like soldiers! Soldiers are the people they shoot at. If I could wear a clown suit I would do it – if I could wear the big shoes and everything. I would wear the whole fucking thing.
I think there's a lot to be said for that, actually, because I can either scrape in there on my belly, wearing camo, and sneak around; or I can stand right there in front, wearing a shirt that says, you know, Don't shoot me. I’m a dick."
I've come to this quite late and haven't got the concentration to wade through 11 pages of replies, but I have just recently become familiar with Simon Norfolk's work, and after reading this interview, he's given me a bit of inspiration. I think he is direct and to the point - I understand more clearly what he says than some other photographer's I've heard / read.
Walking around Baghdad with a 4x5 camera? That takes some balls. his style of photojournalism is much more interesting than wide angle shots of mothers crying in front of bombed out houses. (not to make mothers crying in front of bombed out houses seem insignificant)