I just developed a sheet of HP5 in it as a test. The neg seems fine but I wonder, as Doremus wonders, if it is the Metol doing all the work?
It definitely had the usual PMK stain but probably not as strong as I've had. I used normal Ilford rapid fix which may account for the reduced stain. I had TF4 but couldn't be bothered mixing up a fresh batch for one test, anyhow, Hutchins says normal rapid fixers are fine as long as they don't have hardener. I may do a pictorial shot and use the TF4.Very easy to figure out. Metol doesn't stain whereas Pyrogallol does. Do you see an imagewise greenish-brown stain in the sheet you developed?
Doremus, the proof is in the processing, my negatives are still coming out just the way they should using my very ugly PMK. I'll dump it when it stops working.In contrast to Rick A's advice, I'd toss the developer. Too bad it's so full, though.
However, the pyrogallol component of the developer is likely oxidized to the point of inactivity (hence the dark brown color). Even if the Metol in the developer is still active, it will not have the characteristics of PMK when fresh.
Best,
Doremus
It definitely had the usual PMK stain but probably not as strong as I've had. I used normal Ilford rapid fix which may account for the reduced stain. ...
I have to agree with Doremus. I printed the neg tonight. At grade 2, this combo, HP5 plus at EI 200 should have given me a snappy print, it gave me a dull lifeless print. I could monkey around by increasing contrast but the point is, it is under-developed which I can only put down to the pyro being oxidised. I'll mix up a fresh batch and replicate the scene and report back.
Are you mixing from powder chems or liquid?I always mix pyro just before I use it.
Are you mixing from powder chems or liquid?
Liquid
well, we all mix the liquid just before use. If you mix them well in advance you will not get any development. I have the raw chems to make PMK, but I was waiting for my liquid version to go bad first. I also am experimenting with Jay DeFehr's Obsidion Aqua, I like it a lot.Liquid
The deal is, the PMK stock solution A will oxidize and turn brown after a time (for me, that's usually a year or longer).
My chemicals are stored in laboratory glas bottles. 10 years ago I mixed up 5 liter PMK A (filled in 0.5 liter bottle) and 10 Liter PMK B (filled in 1 Liter Bottle). The Bottles had been protected by inert gas. Today I am using the last bottles of A and B. PMK A turned its color to intensive yellow. The developer still works like on its first day.
My chemicals are stored in laboratory glas bottles. 10 years ago I mixed up 5 liter PMK A (filled in 0.5 liter bottle) and 10 Liter PMK B (filled in 1 Liter Bottle). The Bottles had been protected by inert gas. Today I am using the last bottles of A and B. PMK A turned its color to intensive yellow. The developer still works like on its first day.
Klaus,
I'll try glass bottles next time I mix a batch and see if I get more shelf life from my PMK A.
Thanks,
Doremus
I'm with you. I'm sceptical, to say the least, about any claim that any developer can discolour and still be as good as it was when made up. Some chemical reaction must be taking place to change the colour. That said, I reuse Ansco 130 for several print sessions, it gets exposed to air for hours in the tray but never seems to change colour and seems to be as strong after 3 or more print sessions.FWIW, I had stock PMK from the Formulary--nearly full bottles, stored in the original plastic bottles as supplied by PF, both A and B bottles in double zip-lock bags, stored in the dark--that was just about 2 years old that didn't look right when I mixed a working solution yesterday morning. I tossed everything and mixed up a working solution of 510-Pyro to develop my film. The PMK might have been okay, but I just didn't trust it. Others seem to get way more storage life out of these pyro formulas than I do.
Here are the results of my test, 6 year old PMK vs fresh. Negative on top was processed with the 6 year old PMK, bottom negative with fresh. The only difference between them is one extra stop of exposure for the bottom negative. Both were processed using rotary 10 minutes at 70f, shot with identical setup, using EDU Ultra 200 film exposed at iso 100 with my 5x7 camera with a Kodak Aastigmat f 4.5/6 1/2" lens first shot was one second at f22, second shot two seconds at f 22. Minimal difference in stain, no difference in image development that my old eyes can detect.
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