Plenachrome 120 advice

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jblaschke

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Folks, a bit of advice here. Browsing the local Craigs List, I came across a listing for a Zeiss Ikonta 521/2 with a Novar-Astigmat lens. On a whim, I made an offer, offer was accepted and I just got back from picking it up. It's in fantastic shape, but here's the kicker: It had an undeveloped roll of Plenachrome 120 film in it! Suggestions for developing it? Some folks have recommended using Diafine, others have said to use HC110 because Diafine will fog any surviving images, and then I was referred over here. The only thing I've ever developed in the darkroom is TriX. I'd like to hear any thoughts the groupmind here might have.
 
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http://photo.net/black-and-white-photo-film-processing-forum/00B7Hu

There is an expert company which survives old films. I think your best chance are them , it can be too complex to handle and they know what they are doing. I dont remember their name now.

I think its matter of few hours and the all details will appear here.

If you dont get answer , pm Photo Engineer , he will help you.

Good luck with your film , excellent camera and Welcome to APUG.

Umut
 

holmburgers

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http://www.rockymountainfilm.com/oldfilm.htm - These guys offer a service but it is likely to be expensive.

This website (http://westfordcomp.com/updated/found.htm) is (a) great, hilarious, thought-provoking and entertaining and (b) will help you in your quest. It seems like if you were to send it to him he'd probably even develop them and post them on his website, or at the very least could give you some advice for processing. You might be able to see some processing tips somewhere on his site.

Also, check out this group on flickr -> http://www.flickr.com/groups/foundfilm/

Good luck and welcome to APUG
 

Mike Pieper

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http://www.rockymountainfilm.com/oldfilm.htm - These guys offer a service but it is likely to be expensive.

This website (http://westfordcomp.com/updated/found.htm) is (a) great, hilarious, thought-provoking and entertaining and (b) will help you in your quest. It seems like if you were to send it to him he'd probably even develop them and post them on his website, or at the very least could give you some advice for processing. You might be able to see some processing tips somewhere on his site.

Also, check out this group on flickr -> http://www.flickr.com/groups/foundfilm/

Good luck and welcome to APUG

Please do not ever recommend Rocky Mountain Film to anyone. In case you haven't heard, the guy is a scammer who has had his business shut down. Do a search on the business name, and you'll find that numerous lawsuits have been filed against the company. He was just one guy who developed old films and he got lazy and let the films pile up and then made excuses to anyone who called and inquired about them. Some people waited years for their film to be returned before they just got sick of it and sued the guy.

The westfordcomp.com found films site is great. I've been plugging the site on different forums for months. He uses HC110 for his processing, and he often gives the developing times as well.

I developed a 40 to 45 year old roll of 620 Kodacolor X using straight D-76, and it turned out pretty well, so it's really not that hard to develop these old films (if they actually have good images on them).
 

jreitsma

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Possible Link

Mike;

I did a search on Plenachrome 120 and found this information:

Dead Link Removed

If the link does not work, here are the details:

"ArtKramr" <artkramr@a...> wrote on Feb 19, 2001




I have data for developing Plenachrome in Ansco 17. This is a developer you
must mix yourself from scratch. If you want to use something like D-76, I would
suggest 8 minutes at 68F with 5 second agitation every 30 seconds. If you want
the Ansco 17 formaula, I'll post it for you. BTW, it is identical to the Agfa
17 MQ formula.

So, see if D-76 works and go from there......

Good Luck!!!!!

Later-Joe
 

holmburgers

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Please do not ever recommend Rocky Mountain Film to anyone. In case you haven't heard, the guy is a scammer who has had his business shut down. Do a search on the business name, and you'll find that numerous lawsuits have been filed against the company. He was just one guy who developed old films and he got lazy and let the films pile up and then made excuses to anyone who called and inquired about them. Some people waited years for their film to be returned before they just got sick of it and sued the guy...

wow, I had no idea. Sorry
 

wogster

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The term Chrome has been used for two different things over time, one has to be careful as to which use. Originally it was short for Chromogenic, and meant B&W film where the colour response was closer to even although even today no film gives even response across all colour ranges, then the older pan films, which had poor red response Verichrome Pan is an example of this. Today it is used only in the case of colour slide films, which is a good thing. Slide films are essentially 3 layer B&W films, where the colour development comes after the reversal exposure. If you don't mind a B&W negative it can work really well, even if it is a colour slide film. Colour negative films tend to have less silver in them, so processing to a B&W negative may not work as well. Processing time, that can be tricky, longer will give more image, but increase base fog development, shorter may not give as good an image. The slower the film was originally the better, as slow films pick up less base fog then fast films over a given time period. If you have only one roll, I would say 8 minutes in D76 @ 20℃ should give an image.

Colour films if you want the colour need a special lab, as the processes have changed over the years, some like Kodachrome are now no longer possible on a commercial basis, and hand processing, while technically possible isn't logistically. I don't recall what preceded C41, not sure if anything will succeed it. B&W I think will be with us forever, although it may end up back as the domain of artisans who make their own film, paper and chemicals.
 
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