Sunny 16 works fine, in general -- but when you're at f/150 or f/250 things change a bit.
For a start, different films with the same box speed react differently when exposures go beyond one second. Some (original Acros, Acros II) hardly need any reciprocity correction out to a minute or so; others (Fomapan, for instance) need much more than doubling for each stop beyond a one second exposure time. There are charts, formulae, apps -- but the bottom line is, you need to know the reciprocity characteristics for the film you're using. Manufacturers often publish this information, but sometimes what they publish is, um, optimistic. And occasionally it's just a flat-out lie. In the end, you need to make tests -- and it wouldn't be going too far to choose your film specifically for its reciprocity characteristics, if you're buying specifically for pinhole.
Worth noting: if you build your own cameras and aren't married to roll film, enlarging paper is actually faster at pinhole exposure levels than some 400 speed films -- because it's designed for multi-second exposures as its normal, and a couple minutes isn't far enough out of its normal range to require large corrections. Another option is ortho lith films; these are comparable in speed and emulsion characteristics to enlarging papers, but produce a transparent negative (easy to print/enlarge) -- and, like paper, you can handle them under safelight (red only, please). You can also control contrast without filters (and they don't change contrast when the light changes, though they do change speed some); it's done by altering the developer dilution (develop in a developer intended for prints, generally -- higher dilution => lower contrast).