naturephoto1 said:Most photographers participating in Art Shows that are transparency shooters are just ignoring the supposed restriction of no digital imaging/printing/must be hand pulled/printed by the photographer. I have been digitally printing now for 11 1/2 years and about 8? on a LightJet or Chromira machine. The shows have no idea and understanding that there is only one positive/positive conventional printing method available. The only other conventional printing method that is basically available is through internegative. However, I see that there may be some dye transfer chemistry still available- but this is very labor intensive.
Have to agree with what you're saying here. I'm not at a stage where I'm selling prints but when I want prints from a slide I scan it and get it printed digitally. I've had lightjet and frontier prints made this way and have usually been extremely happy with the results. The few times I've been unhappy with the results I've gone back to the file and see that the mistake was mine. Locally, my only other option would be to have the lab make a print using an inter-negative at significantly higher cost and likely several proofs to get the colour just the way I want it. So for me, I see lightjet prints as being the only viable solution both because of the cost and because it gives me much greater control over the process.
It's also important to me that the final print "looks" like a conventional photograph. I like getting my prints on photo paper because I like that look. I like that my prints from slides don't immediately scream, "digital." Sure, people who can recognise the look of a slide shot will pick up that I had them printed digitally but for most people they just see a photo. I don't have anything against inkjet/giclee prints but it's just a different look and it can change the way that your image is perceived. I know some people will use that as a way to make their images not immediately scream, "photo," for me that's not something I'm interested in. But if it's something another photographer wants to do and it works with their style then I'm all for it.
I really don't like the idea of an outright ban on specific techniques or media. I can certainly see it if the show is for a particular media of course, I wouldn't bring photos to a show that's solely paintings. But if the images are of high quality, the printing method works with the image or style and there can be some reasonable assurances about the archival life of the print then I don't see any problem with using whatever media gets you that.
