Mainecoonmaniac
Member
- Joined
- Dec 10, 2009
- Messages
- 6,297
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Great, thanks!
Like you I love this one:
View attachment 233405
(If it had, we would all be shooting digital I guess)
couldn't agree more with the quote
it has nothing to do with cameras but
with the eyeballs and brain of the person
operating the time machine ..
Is this from when Americas was great?
I'll have to disagree with that -- the qualities of the pen are rarely reflected in the finished piece, whereas the camera, lens and film all leave their mark on the process. Choice of camera, lens and film (and then the process in which the print is to be made) are all artistic decisions that are made in the creation of the print. So I guess one could say that the camera itself does not matter, but the choice of camera does.The role of the camera in great photography is the same as the pen in great literature.
It's important to separate descriptive photography from creative photography. In the first instance, the camera certainly matters because different cameras have different technical capabilities to describe. For creative photography the only thing that matters is the use of a camera of some kind, because the power of the image is in the imagination of the photographer, not intrinsic to the gear. In the 1930s Bill Brandt went out with a box camera to dispel the popular belief that a "good" photograph was the result of a good camera.I'll have to disagree with that -- the qualities of the pen are rarely reflected in the finished piece, whereas the camera, lens and film all leave their mark on the process. Choice of camera, lens and film (and then the process in which the print is to be made) are all artistic decisions that are made in the creation of the print. So I guess one could say that the camera itself does not matter, but the choice of camera does.
For creative photography the only thing that matters is the use of a camera of some kind, because the power of the image is in the imagination of the photographer, not intrinsic to the gear.
True, but that has nothing to do with the role of the camera in making art. The artist and their tools are inseparatable. The tool can be a box camera or a Leica (or as I mentioned earlier, camera-less)...which to use depends on the artist and how wish they create.... In the 1930s Bill Brandt went out with a box camera to dispel the popular belief that a "good" photograph was the result of a good camera. It's difficult to think of any camera that would eliminate artistic expression, if the user is themselves artistic.
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