There are several things to consider here.
1. Do the stock solutions keep? If they do, then all argumets over this are moot.
2. Does the developer you make of them give you the desired tone scale? If they do, then again all arguments are moot.
3. Do the negatives give you the sharpness, speed and contrast you desire at the appropriate enlargement. If they do, then this controversy and all over any developer is settled.
The remaining problems are:
1. Did you keep the stock solutions properly or run a proper keeping test with or without oxygen etc. etc. etc? This will confound any keeping test and give mixed answers from all the testers.
2. Did you run careful exposure and sentitometric tests with over and under exposures and different films? If not, this will confuse the issue among the different observers.
3. Did you make pictures at different magnifications or with different formats? The change in macro vs micro contrast will further obfuscate results if one person used 35mm and another used 4x5.
These are things to consider in any developer design situation and across the varied people here, I venture to guess that just about every person will get a somewhat different answer.
That is why designing developers requires such an intensive, years long effort using a broad range of keeping conditions, processing conditions, films, formats and print sizes and why questions like this keep arising. There is probably no one out there that has ever tested a developer as thoroughly as Ilford, Kodak, Agfa or Fuji has.
You do your best, but questions and problems and differences will continue to arise and until one person does all of the above, these types of thread will continue to be posted.
I forgot to add: USE WHAT WORKS FOR YOU.
PE