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More information about the Pentax 17, the Pentax film camera project in general and Ricoh's / Pentax' philosophy in this interesting interview:
Best regards,
Henning
It looks like they're holding fire on the next model while they analyse the market.
But the 17 is definitely not the end of the journey. Film is important to their business and "quite important" in terms of the percentage of their sales.
Is it just me or does anyone also prefer actual old film cameras to these newly released ones..? I just prefer the metalic analogue feel of the old cameras to the plasticky new ones..
Is it just me or does anyone also prefer actual old film cameras to these newly released ones..?
I always though 24x24 could be interesting. Victor couldn't be wrong right?
Yes; I wasn't really aware of the format until recently, but I think it'd be a nice option.I always though 24x24 could be interesting.
Yes, post-processing infrastructure would be a concern for the 'mass' public.
I’m a 24x24 fan, I've got 3 cameras that shoot square on 135 film (well, four if 126 counts), but I think that for "general" public square would mean a lot of hassle because lab scanning efficiency would drop like a stone which means scanning would be less accessible to people who can't/don't want to camera scan their film at home.
Or so the Robot Camera company thought.
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As did (essentially) Eastman Kodak and everyone else who made 126 film and cameras.
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How bout a Pentax 24, square format? Or 24/17 Dual format???
Fortunately that won't be a big hurdle as new 24x24 scanning masks for the most widespread lab scanners like Fuji SP 3000 and Noritsu HS-1800 can be made very fast and at low costs.
I must admit I always had a soft spot for the Agfa Rapid system in 24x24 format.
There are also several 35mm half-frame cameras that used the Agfa Rapid cassettes -- Canon, Mamiya, even the Ruskies got in on it.
A working Robot has always been on my list of cameras I'd like to use some day. I like the design and the square format.
- (1940) Agfa and Ansco joined forces in 1928 and made a wide variety of cameras over a period of many years. One of these was a completely redesigned Memo in 1939. It was a full-frame folding-bed camera. The next year they came out with a half-frame model of the same camera, also called the Memo -- to the confusion of many. It had shutter speeds of B, T, 1/2 - 1/250. The manually-focusing lens was available in f3.5, f4.5 and f5.6 versions. It did not use the original Memo cassette, but adapted the Agfa KARAT cassette -- used in the Agfa Karat cameras of the same time -- which eventually evolved into the popular Agfa Rapid cassettes used in many half-frame (and full-frame) cameras over the next 40 years.
If you find one without a lens, my "what am I going to do with this stuff" box has a standard lens for one - we could talk
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