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Pentax Digital Spotmeter ASA

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Hubigpielover

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I lucked out and found a working meter for 35 bucks and obviously had to get it. I'm ready to tackle the zone system and have been getting familiar with the meter but the ASA ticks are confusing me.

For example:

Between the 100 and 200 ASA there are two ticks. I am assuming that it is for 125 and 160? But how do you know?

Same with the in-between of 50 and 100. Is that 64 and 80? I couldn't find anything about it in the owners manual.

Thanks,
 
Both are correct - each represents 1/3 of a stop of sensitivity.
 
MattKing is right. All the ASA tics are the same. Unless the meter only has one tic between 100 and 200 like the Sekonic TwinMate. (Guess they figured close is good enough)
 
I lucked out and found a working meter for 35 bucks and obviously had to get it. I'm ready to tackle the zone system and have been getting familiar with the meter but the ASA ticks are confusing me.

For example:

Between the 100 and 200 ASA there are two ticks. I am assuming that it is for 125 and 160? But how do you know?

Same with the in-between of 50 and 100. Is that 64 and 80? I couldn't find anything about it in the owners manual.

Thanks,
You were right the tix are in 1/3 stop increments.
 
Thanks for the replies! Sorry I am late to reply but Louisiana is hard hit with the Corvid 19 bad and I'm scrambling to keep my company open.
 
There are different ways to built up an ASA 1-stop range, depending on the value to start from. That makes that there may show up values inbetween (taken over from another range). However there are only those values plausible that were mentioned above.
 
The series:
  • 25, 32, 40
  • 50, 64, 80
  • 100, 125, 160
  • 200, 250, 320
  • 400, 500, 640
  • 800, 1000, 1250
  • 1600, 2000, 2500
  • 3200, 4000, 5000
  • 6400, 8000, 10000
  • 12800, 16000, 20000
I have never known film with a rating in the gray part of the list.
 
The meter is based on 1/3 stops. The 2 lights to the right of the number in the viewfinder indicate 1/3 and 2/3 stops above the number. There is a fellow on ebay with zone stickers for $10 shipped.
 
Thank you, wiltw.

(I was too lazy to write such up... However, hadn't you referred to grey figures, I would not have recognized the difference on my screen.)
 
The meter is based on 1/3 stops. The 2 lights to the right of the number in the viewfinder indicate 1/3 and 2/3 stops above the number. There is a fellow on ebay with zone stickers for $10 shipped.
All free from me:
 

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First thing I did after getting my Zone VIed Pentax Digital Spot was to take off that sticker, lol!
 
All free from me:
Very Cool! Thanks!
I grew up on Spectra Meters and added a Quantum Flash Meter when I got strobes. This is my first Zone meter and I wanted the full experience since reading about it 50 years ago. I read Ansel and Picker's books and worked it in with what I was doing at the time but never had a "Zone Meter". Had I known about the offer I would have printed my own but I think $10 delivered wasn't bad.

First thing I did after getting my Zone VIed Pentax Digital Spot was to take off that sticker, lol!

Isn't the scale underneath an arcane motion picture scale? I mostly cheat and just place the values I care about. I have a D-word that places every value.
 
...Isn't the scale underneath an arcane motion picture scale? I mostly cheat and just place the values I care about. I have a D-word that places every value.
I do not know what it is used for -- I have no need for any type of scale there...just the center mark and the numbers above. I am real good at adding or subtracting small numbers, so if I read a shadow I want detail in I can just add 2 (sometimes 3) to the meter reading of the shadows and set that number at the pointer. Then read the highlights, do the subtraction to know where they will fall...and often the brightest areas can be beyond the range of the sticker thing anyway.

The little gray squares of the sticker just seem to make no sense to me -- perhaps if they were graduated instead big blocks of the same shade. Nah...I like it better with nothing there.

PS -- had to edit this a few times...writing about it is tougher than doing it! LOL!
 
Last edited:
First thing I did after getting my Zone VIed Pentax Digital Spot was to take off that sticker, lol!

First thing I did after getting my Pentax Digital Spot was to put on that sticker. I use it every time I use the Spot Meter.
 
I noticed that the 128000 value is a newly used number. Back in the old days nobody used that value. I guess because of the it's 128000 instead of 125000. The rounding of the numbers are very imprecise but they kept it so they have only these values. 1, 2, 4, 5, 8, 16, 32, 64 and 125 and now 128.
 
First thing I did after getting my Pentax Digital Spot was to put on that sticker. I use it every time I use the Spot Meter.
And for those who find it useful, I say, great! If I still had the sticker on my meter, I would use it every time, too, but just the point of the triangle. :cool: Actually, as I remember them, the original Zone VI stickers did not have a triangle pointing towards the numbers. Easy enough to set the number in the middle of the middle-gray box, but it irked me for some reason.
 
There are different ways to built up an ASA 1-stop range, depending on the value to start from. That makes that there may show up values inbetween (taken over from another range). However there are only those values plausible that were mentioned above.

Seemed that way to me also

The series:
  • 25, 32, 40
  • 50, 64, 80
  • 100, 125, 160
  • 200, 250, 320
  • 400, 500, 640
  • 800, 1000, 1250
  • 1600, 2000, 2500
  • 3200, 4000, 5000
  • 6400, 8000, 10000
  • 12800, 16000, 20000
I have never known film with a rating in the gray part of the list.

This is awesome..thanks.

All free from me:

Appreciate it!

First thing I did after getting my Zone VIed Pentax Digital Spot was to take off that sticker, lol!

I heard y'all got quite a bit of snow the other day. Hope you are staying warm.
 
Actually all you need is the readout in the viewfinder. Can figure out the rest in your head.
 
Actually all you need is the readout in the viewfinder. Can figure out the rest in your head.

Well it helps to know the iso settings so the numbers in the viewfinders are right.
 
Well it helps to know the iso settings so the numbers in the viewfinders are right.
You can set the dial any way you want the reading in the viewfinder would still read the same.The readout is always EV number for ISO100 regardless of how you set the dial.
 
Isn't the scale underneath an arcane motion picture scale?

The IRE scale is the smartest feature on the thing - if you know how to use it. At the simplest level: on neg film, place the deepest shadows where you want to retain detail on IRE 1; on transparency or motion picture work, place your highlights that you want to hold detail on IRE 10. That's about it. The other numbers may have some uses for skin tone compensation (I think it's supposed to be cheek tone placement on IRE 2-3 for non white skin, IRE 4-5 for caucasian).
 
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