I used in one tank Pan F and Tri-X with Diafine. Tri-X turned out great but Pan F was total disaster. Edge markings are barely visible. I thought that using different films in same tank together in Diafine is OK. Any ideas?
I guess that the Pan F was atop the TriX and that the total volume of developer in the solution was not enough for both films. The makers of developers issue details on the minimum volume of developer in a solution to fully develop one roll of 36exp 135 or one roll of 120 film.
With a bit more agitation the results could had been better, but my bet is on the developer being less than optimal in the solution.
I used in one tank Pan F and Tri-X with Diafine. Tri-X turned out great but Pan F was total disaster. Edge markings are barely visible. I thought that using different films in same tank together in Diafine is OK. Any ideas?
Your developer doesn't care how many types of film you have in the tank.
Tank was full?
pan f doesn't have a very long shelf life. Was it expired?
I guess that the Pan F was atop the TriX and that the total volume of developer in the solution was not enough for both films. The makers of developers issue details on the minimum volume of developer in a solution to fully develop one roll of 36exp 135 or one roll of 120 film.
With a bit more agitation the results could had been better, but my bet is on the developer being less than optimal in the solution.
This solution is not exhausted (18 rolls) and i had 3 films developed after this Pan F, one ORWO NP22 exipred in '80s, one fresh Tri-X and one fresh ORWO N74+When was the PAN F exposed, many moons ago? It is known for less than excellent latent stability.
I develop Pan F in Diafine and it has always worked great for me. Edge markings do don't times fade with age on Pan F but this doesn't affect the images if you process promptly after exposure. There is some debate about this but Pan F is widely thought to have poor latent image keeping qualities (which could also be the cause of light edge markings.)
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I have not experienced the poor latent image keeping myself, but then I've always processed it within a couple of weeks or so, in part because I've read the experience of others.
I don't think anyone has claimed that it keeps poorly unexposed. Like most films that slow it should cold store well and be good well past the expiration date, especially cold stored (I certainly hope so as I have some like that, though much newer than yours, that I haven't had a chance to use while being distracted by personal issues for a while.)
It does fine at 50 or 64 in Diafine too. Don't believe the 80 printed on the Diafine box though. 64 is ok the way I meter, to favor shadows anyway, but that's as far as I would go. It does pick up a bit of useful speed compared to D76, at least if D76 is used to develop it only to the relatively modest contrast that it gives in Diafine. That's why I like this combo so much for a slow film.
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