Actually, that is the only way to tell - we need to see the negatives themselves, backlit and as large as practical.Picture of the film itself would be pointless as this is too subtle to show on picture.
I invert yes and tried all kind of tanks and reels, and every agitation method I could think of except constant agitation... They all resulted in the same issue with more or less intensity. The more conclusive so far has been 2 reels in a 3 reels paterson tank. But this is not normal...This could be an agitation problem during development.
Do you use Paterson developing tank with the top spinner?
I had weird lines appearing on my negatives which I thought was a light leak because the lines showed up at the same place. I was going crazy replacing the bellows and installing light seal foams everywhere but in the end it was my agitation method.
Once I switched to inversions the lines went away.
I don't know I have an 903SWC from 1990 and a 503CW from early 2000.Is your camera one of the models that has a focal plane shutter?
That says light leak to me - in the camera or back or.I invert yes and tried all kind of tanks and reels, and every agitation method I could think of except constant agitation... They all resulted in the same issue with more or less intensity.
I have tried 2 hasselblad cameras (903SWC and 503CW) 2 backs and 2 lenses with the 503CW. I had a lab develop 2 rolls for me that turned out fine but this might just be luck... I will try with the fujis cameras too I guess to be sure. Stange things is that it seems to show more on Ilford films than trix and even more on FP4+ than HP5+... As for the light leek the Hasselblad service shop here in Paris says it would show between the frames too. They don't think it looks like it. Also The number of lines varies. Sometimes it's 1 sometimes 2 and now 3. But they are always more or less in the same place as you can see on the picture of the neg. They seem equally spaced out.That says light leak to me - in the camera or back or.
And I understand that you have looked for that as well.
Can you get someone else to expose a roll of film in their camera, and develop it for them?
Brand new FP4 and HP5 and old Trix but it seems to show more on ilford and especially FP4 but that could be random...So... this has happened more than once with FP4? Does it happen with other films? How fresh is the film?
As for the light leek the Hasselblad service shop here in Paris says it would show between the frames too. They don't think it looks like it.
Not so wild a guess - but I would wait to see if you have it happen with a Fuji camera.A wild guess...some sort of interior reflection in the camera?
Brand new FP4 and HP5 and old Trix but it seems to show more on ilford and especially FP4 but that could be random...
I don't know I have an 903SWC from 1990 and a 503CW from early 2000.
Again in all logic this would show between the frames and on all part of the images not just where there is even density (sky, snow, a white wall)... will definitely try the fuji.Not so wild a guess - but I would wait to see if you have it happen with a Fuji camera.
Is there any chance that it is a low level light leak in your reel loading area - something like a pinhole in a changing bag or a LED indicator light that remains on while the film is being loaded?
Okay, let's assume that the lab processing was not a fluke. That means it has something to do with your processing.
So, let's brainstorm a bit about what could cause areas of increased density like this.
1. light strike (don't rule out the tank, changing bag, light leaks in the darkroom, etc.)
2. developer surge marks caused by agitation or features in the tank that cause turbulence
3. bending or crimping the film
There are likely others, but I'd start trouble-shooting with the above.
Sorry I can't be more specific,
Doremus
The only exception to the logic would be if the light level was essentially a pre or post-flash - just enough to add density where additional exposure is added, but not enough to form an image on its own.Again in all logic this would show between the frames and on all part of the images not just where there is even density (sky, snow, a white wall)... will definitely try the fuji.
I would exclude 1. because that would show everywhere on the film and between the frames not just evenly dense portions of the images. I would also exclude 3 because I am very careful and used different types of reel plastic and metal and quite a few different ones as I have a lot.Okay, let's assume that the lab processing was not a fluke. That means it has something to do with your processing.
So, let's brainstorm a bit about what could cause areas of increased density like this.
1. light strike (don't rule out the tank, changing bag, light leaks in the darkroom, etc.)
2. developer surge marks caused by agitation or features in the tank that cause turbulence
3. bending or crimping the film
There are likely others, but I'd start trouble-shooting with the above.
Sorry I can't be more specific,
Doremus
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