Photo Engineer
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I think PT Barnum said that once.
;^)
... about 0.1 g/l of NaBr or a vAg of about
-50 to -70 mv at 40 deg C
... At 0.1 g/l, the value given above, I assure you that the vAg is positive.
cf
???
It looks like the VAg in both quotes (both 0.1 g/l) have different signs...
Update:I managed to build a prototype of a 35mm perforator. It wasn't impossible at all, in fact I'm surprised I made it in one night (that was an all-nighter, though). Perforations look quite awful, but IT WORKS, and I believe it's usable because the requirements are not so high in still photography. Perforating two holes at a time is tedious so I started to automate it. I made six large electromagnets that hopefully will be strong enough to punch the holes. I'll post more details later!
We used pig skin food grade gelatin and home-made silver nitrate again and used a modified version of PE's "A real formula" topic. We did the addition of silver in a similar way that is described at Jim Browning's website, but speeded up a bit.
Contrast is quite high. Maybe we should use the exact silver addition numbers in Jim Browning's document. Now we speeded it up by about 20%. This emulsion might be best shot at EI 16 and developed for only 4 minutes or so, with less agitation.
Congratulations on your great work! I'm particularly interested in your use of corona discharge. This would be important in the production of matrix film, as Dupont doesn't stock the only polyester film base product that works for Dye Transfer - all other subbing layers I've tested pickup dye and stain the print. So, if the corona discharge method works well, that would be a great option. If you can determine the proper methods / voltages, etc, I would be very interested.
As far as the addition methodology I used for making a matrix film, I don't know how it would work for an optical negative film for enlarger use. I designed the emulsion by trial and error, and the iodine addition, silver nitrate addition and even the yellow dye addition all were used to control the tone curve. I didn't monitor the tone curve of the silver image, it was done by rolling a print and working to get a straight line on the print. The result is exceptionally straight tone curve with a short toe - in fact superior to the old Kodak matrix film. I don't know how this would translate to the curve on a taking film, but it looks like your results are very good.
Regards - Jim Browning, Digital Mask
This emulsion work is "just for fun" for both of us. I'm afraid it's not that easy to do MSc thesis on emulsion making to the department of computer systems.
It may be all thanks to "active" gelatin. We'll try hypo sensitization tomorrow. I'm very happy if we can get one stop more without fogging.
From the OP, it seems that they got ISO 25. I get ISO 40 - 80 from my emulsion after sulfur sensitization. So, I would say that their modifications may have given higher speed to start with and that they may have very high speed after sulfur sensitization.
I cannot really say though. I can just hope that they can repeat it and that they have continued good results.
PE
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