Photo Engineer
Subscriber
The statement referred (I think) to the changes in color of the silver image due to antifoggants. This is used in B&W prints, of course, to get the image tone desired.
PE
PE
Agreed. I was merely taking issue with the statement after that, to the effect that, as image silver is removed, BZT should not have much effect. My experience is that it can have very beneficial effect. While the image silver (the color of which is influenced by BZT) is removed in the RA process, that is not really the point. The point is that BZT restrains fog development, so that where the fog does not appear, the color dyes associated with the fog are also not created. Without BZT, the silver fog gives rise to an associated dye that is left behind (in my experience, the yellowish color that the paper takes on). By restraining the fog, the associated dye is also restrained. I have brought back to life many slightly fogged color papers this way, restoring them to bright whites - in particular Ektacolor Edge and Fuji Crystal Archive C..The statement referred (I think) to the changes in color of the silver image due to antifoggants. This is used in B&W prints, of course, to get the image tone desired.
PE
Photrio.com contains affiliate links to products. We may receive a commission for purchases made through these links. To read our full affiliate disclosure statement please click Here. |
PHOTRIO PARTNERS EQUALLY FUNDING OUR COMMUNITY: ![]() |