i agree, the best camera is the one you might have with you, and since a lot of people in modern/western internet ready, "me-based" (i)Society for the most part have a phone with them
they have a camera with them too so they can make snapshots, exactly what a box camera, instamatic, folder, pocket strut, hawkeye,&c were, snapshot cameras ..
the OP's original complaint i dont' think was that a cellphone shouldn't be used for snapshots
but the thread sort of morphed into the idea that a cellphone cameras have dumbed-down photography and made the mediocre OK, and celebrated it ... most of photography has already been mediocre
and it has been celebrated for decades, probably since the original brownies were sold by george eastman in the 1880s.
I blogged about it once...
I do think that a piece of exposed film is a thing that is different in kind to an electronically-recorded image, but it's not a value judgment. A cave painting and a fossil footprint are both records of a mammoth, and both are wondrous, but are different.
(FWIW, I was pedaling around my neighborhood today with both an A-1 and a Rebel XTi, taking pictures of ducks and turtles on the canal. Had a lot of fun with both of them.)
This is an incredibly absurd statement. There are a lot of digital photographers doing excellent work.... no digitital photographer yet has displayed an inkling of cave painter talent.
This contradicts your previous statement, unless we are to infer that people with digital equipment have no eyes or minds. That would be one hell of a pompous assertion.A device never actually sees anything. Only your eyes and mind do.
I thought photography was all about getting away from obnoxious hordes of people glued to these noisy battery-dependent gadgets. They should just genetically engineer human DNA to have these devices grown inside the brain automatically. There doesn't seem to be much use for real brain cells anymore anyway. And as far as fossils and cave paintings go, no digitital photographer yet has displayed an inkling of cave painter talent. Maybe took the time to actually look at things, esp wildlife, and in cases made those ancient critters look more real and animated than any stupid cellphone video sequence, or any Fauxtoshop enhancement. Yeah, that was technology too, because pigments and
fire and brushes were all involved. But at least the technology didn't become a parasite in the process. I don't personally try to convert anyone to view camera or even film work. But there have been cases when people traveling with me asked to look at a composed image
on the groundglass, or later saw the print, and ended up throwing out their digital cameras, or gave them to some relative. A device never
actually sees anything. Only your eyes and mind do. And a few years just looking through a groundglass, whether you ever trip the shutter
itself, will probably teach you more about photography than taking 50,000 frames with a digital machine gun.
But there have been cases when people traveling with me asked to look at a composed image
on the groundglass, or later saw the print, and ended up throwing out their digital cameras...
He did say:Does he actually take/make any pictures, or is all that's needed is to merely show up.
I dunno, Drew. I love your posts because I agree with a lot of what you say. But zero gallery uploads?
...
But there have been cases when people traveling with me asked to look at a composed image on the groundglass, or later saw the print...
I thought photography was all about getting away from obnoxious hordes of people glued to these noisy battery-dependent gadgets. They should just genetically engineer human DNA to have these devices grown inside the brain automatically. There doesn't seem to be much use for real brain cells anymore anyway. And as far as fossils and cave paintings go, no digitital photographer yet has displayed an inkling of cave painter talent. Maybe took the time to actually look at things, esp wildlife, and in cases made those ancient critters look more real and animated than any stupid cellphone video sequence, or any Fauxtoshop enhancement. Yeah, that was technology too, because pigments and
fire and brushes were all involved. But at least the technology didn't become a parasite in the process. I don't personally try to convert anyone to view camera or even film work. But there have been cases when people traveling with me asked to look at a composed image
on the groundglass, or later saw the print, and ended up throwing out their digital cameras, or gave them to some relative. A device never
actually sees anything. Only your eyes and mind do. And a few years just looking through a groundglass, whether you ever trip the shutter
itself, will probably teach you more about photography than taking 50,000 frames with a digital machine gun.
I thought photography was all about getting away from obnoxious hordes of people glued to these noisy battery-dependent gadgets. They should just genetically engineer human DNA to have these devices grown inside the brain automatically. There doesn't seem to be much use for real brain cells anymore anyway. And as far as fossils and cave paintings go, no digitital photographer yet has displayed an inkling of cave painter talent. Maybe took the time to actually look at things, esp wildlife, and in cases made those ancient critters look more real and animated than any stupid cellphone video sequence, or any Fauxtoshop enhancement. Yeah, that was technology too, because pigments and
fire and brushes were all involved. But at least the technology didn't become a parasite in the process. I don't personally try to convert anyone to view camera or even film work. But there have been cases when people traveling with me asked to look at a composed image
on the groundglass, or later saw the print, and ended up throwing out their digital cameras, or gave them to some relative. A device never
actually sees anything. Only your eyes and mind do. And a few years just looking through a groundglass, whether you ever trip the shutter
itself, will probably teach you more about photography than taking 50,000 frames with a digital machine gun.
This is such a pile of you-know-what. A photographer can learn to "see" creatively whether they employ analog or digital tools. Obviously in this community there is a heavy bias towards the analog, and that's fine, but to suggest that film technology is the only way to learn how to make a photograph is absurd. And by stating that "a device never actually sees anything" you're contradicting everything preceding it, since all camera technologies are just "devices". It's this kind of baloneyism that I find most discouraging here on APUG.
By by the way, Drew - where are all these magnificent photos you brag about having made?! Not a single image of yours to be found here. Hmmmm..... Maybe, as you've suggested, all you do is stare at the ground glass and never trip the shutter?
Wouldn't it be a lot cheaper and less strenuous to just walk around making a rectangle shape with your fingers and staring through it? Oh, wait, that's digital. Never mind.
A large canvas doesn't make you a better painter, it just means you can afford more material.
Those iphone 6 billboards have a small disclaimer that says something like "optimized for large format".
Does anyone know what they did?
...talk comes cheap.
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