WILL WORK FOR FILM
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So the "V" stands for variable condenser?
Yes.So the "V" stands for variable condenser?
If I am understanding, a D11 without a variable condenser can be used effectively by changing the light source. Otherwise it would be impractical for 35mm format.The D-II is a condenser enlarger which comes with the condensers for 4x5. The 4x5 condensers aren't "great" for 35mm but if it's all you have it will work.
I had a glass cutter create a circular piece of opal glass that fit into the barrel to turn the enlarger into sort of a diffusion enlarger.
There are tons of accessories for it, some easier to find than others. The dedicated condensers are hard to find.
But you won't need the dedicated 35mm condenser lens assembly if you turn it into a diffusion enlarger or change over to a fluorescent-light/type "Omegalite" or Aristo Grid/Zone VI light source.
There's a lot more I could say about it but it remains my favorite enlarger...
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the cones for the d3v are different... than the dII and d2 ...
you can probably find parts on ebay, through the classifides ads here ( someone is always selling omega "stuff" ) and other places.
not sure why it is impractical for home use, i've had one since about 1988 .. its a great enlarger.
After some confusion and a bit of head scratching I believe I have figured out the way the D3 rack system is intended to work. The 3 available autofocus focal lengths are determined by the racks that have been installed with a fourth left as auxiliary for a focusing attachment if needed. The unit I am looking at has a 50mm rack meant for 35mm format. A 105mm rack meant for 6x9 med format. And a 150mm rack meant for 4x5 large format. The only limitation I see here is that if I intend to buy a Hasselblad I will have to get a different middle rack. Does this sound about right?
Yeah the D3 cones, and the ones for the E series 5x7 and F series 8x10 all push straight in, whilst the ones for the D2 push UP and turn 90 degrees. I'm also a big fan of the D3 and have mine pretty well tricked out.
If you can get an autofocus D3V for the same price as an old D-II (no elevating crank, just push-pull and no DV head) go for the D3V!
- Supposedly, Classic Enlargers has closed with the demise of Harry Taylor. I thought his daughter was going to run it but maybe not. The D3V was reputed to be Harry's favorite enlarger.
- The D3V is a nice machine, and the auxiliary bellows makes it a great machine. But when using the aux. bellows the autofocus does not work, not a big deal, but the AF is nice, works best if all your easels are one inch high, I use a piece of plywood under my shorter easels to get the height to 1 inch.
- I have four tracks and setups, enlarger will only accommodate three tracks at a time, I find I rarely use the 35mm track and flat lens board, so my usual configuration in the machine is 75/105/135.
- The AF is not super precise but keeps you in the ballpark as you raise and lower the head.
- With big enlargers (and Omega D-series enlargers are BIG) I find myself using a 75mm lens for most 35mm enlargements, small prints are a pain with the head so close to the baseboard, I can always switch out for a 35mm lens if I need more magnification.
The auxiliary bellows does that trick, Matt. http://store.khbphotografix.com/Aux...a-D3-D-4-B-E-and-F-series-Enlargers-Used.htmlIn case it isn't clear, the auto-focus tracks are matched to a particular lens focal length, not a film format.
The 105mm lens and matched auto-focus will work fine for 6x6 negatives, but you will be limited with respect to maximum print size.
My concern with a D3 is that it doesn't offer an easily accessible manual focus option for lenses that don't have an accompanying auto-focus track.
The auxiliary bellows does that trick, Matt. http://store.khbphotografix.com/Aux...a-D3-D-4-B-E-and-F-series-Enlargers-Used.html
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