I don't think we've ever talked about Exaktas. Have you had experiences with them?I find this quite surprising.
Meyer, I had once in m42. A Primoplan. It focused decently close I think.I dislike Exaktas, so I refrained to buy any. But I admit, I got an Exa..
As I hinted at here repeatedly most Meyer and Zeiss Jena standard lenses have a minimum focusing distances of about 30cm.
Well, hands are different. I like the way it fits in mine but then again I thought the same about Prakticas and surely no one else finds those ergonomic.The basic wedge-shape countour evokes the expectation that it fits good into ones hands, but it does not, to the contrary. And all I asked confirmed this.
Furthermore it looks to me clutterd with its operating devices.
Yes, I got small hands. And concerning looks, tastes vary. Actually I myself am not consistent concerning this.Well, hands are different.
Yes, the mount problem is major with the Exacta. Not a single lens for less than 80 in working condition!Yes, I got small hands. And concerning looks, tastes vary. Actually I myself am not consistent concerning this.
And a Exakta means yet another mount.
Yes, they aren't much cheaper as a groupHave you checked Topcon RE lens?
I have known too many Kodak rangefinders, in fact.RLangham, meet Kodak Kodak RF. Kodak RF, meet RLangham. A match made in heaven. Or that other place.
By Jan von Erpecom - Own work, Public Domain, https://commons.wikimedia.org/w/index.php?curid=8803323
I will say, the macro performance does look good on the ancient ground glass... still no idea how it will look on film.Any lens can be made to focus closer by putting it on a focus helical with a lot of travel, and this is more practical for wide-angle lenses since the extension required to focus close is less (roughly, to focus to 1:10 magnification, you need extension of about focal length/10). However, for a non-macro lens the imaging performance at close distances is likely to degrade. I think, often manufacturers limit the close-focus distance to where they think performance will be acceptable, as well as how much focus helical travel they want to build. Some makers may have been less conservative than others.
I resent that!Would it be undiplomatic to say that this is a grotesque camera anyway that you look at it? The exposed gears look kludgy, and that protrusion coming out of the rangefinder looks like an odd add-on.
It is an add-on. Look at the Kodak 35 and then look at this--they share a rather large number of parts!Would it be undiplomatic to say that this is a grotesque camera anyway that you look at it? The exposed gears look kludgy, and that protrusion coming out of the rangefinder looks like an odd add-on.
Actually, the design process of the Medalist is pretty well known: Joe Mihalyi, who had previously worked with the industrial designer Walter Dorwin Teague, designed it, with some thought to aesthetics. Whereas I have not heard that he was involved with the 35 RF... in fact I find it probable that no one with a background in industrial design came into that at all!I resent that!
One of these was actually my first 35mm camera.
My Dad gave it to me when I was in my early teens - it probably came from the repair department at the Kodak lab he worked at.
It was quite capable, although it certainly was heavy!
I think it came from the same "design studio" as the Kodak Medalist:
It replaced the first Kodak 35, which was introduced in 1938, and was the very first US manufactured 35mm camera.
Most good 35mm normal lenses statistically are either Tessar clones or related in some way to the Biotar. RF normals are very often Tessar with the aperture diaphragm differently placed. Faster ones differ but the ones working photographers used were much the same.I suspect that the Argus A (1936-1941) was the first 35mm camera to be made in the US.
And like the Argus A, the Kodak 35 (including those with RF) have bakelite bodies.
BTW, the Anastigmatic Special and Anastar lenses on the Kodak 35 are Tessar clones.
Most good 35mm normal lenses statistically are either Tessar clones or related in some way to the Biotar. RF normals are very often Tessar with the aperture diaphragm differently placed. Faster ones differ but the ones working photographers used were much the same.
Yes, I'll throw my money in on the first 135mm in the US being Argus, but it was not the first American camera to use cine 35mm film. I forget what was.
I suspect that the Argus A (1936-1941) was the first 35mm camera to be made in the US.
And like the Argus A, the Kodak 35 (including those with RF) have bakelite bodies.
BTW, the Anastigmatic Special and Anastar lenses on the Kodak 35 are Tessar clones.
As I say, not 135 format, though.It's probably very hard to pin down who exactly was the first but, I believe the Ellison Kamra preceded the Argus: http://camera-wiki.org/wiki/Ellison_Kamra
Also don't forget the QRS/DeVry: http://camera-wiki.org/wiki/QRS_Kamra
Both made well before Argus was even making cameras.
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