Your username certainly checks out!The early Nikkor 4/135 for 35mm was also used on the Bronica S. I have a Leitz Telyt 4/200 that is modified for Hasselblad V. And the Pentacon 4/300 was sold for both 35mm and 6x6. There are several others that can be used for both 35mm and 6x6.
The issue with 35mm long lenses is the mount and tube are small, and the nodal point is a long ways from the focal plane, so the tube causes vignetting. The Nikkor 4/135 was repackaged for Bronica. The Leitz Telyt 4/200 was for use on a visoflex, so the optics are separate from the tube. The Pentacon 4/300 was built for 6x6, so the 35mm version was just very big.
The optics for many long lenses for 35mm cover 6x6, but you usually need to re-package them into a larger barrel to allow the image circle to reach the film. IF lenses less so becasue the internal focus element and compensator are the limiting factors on image circle.
You're very unlikely to find any lenses that were designed for the 35mm format that will even come close to covering any 120 format -- except for shift & tilt lenses that are designed with larger image circles. Manufacturers have to keep the costs of their lenses low because of competition. Creating larger image circles is not cheap.
Look at the Novoflex Schnellschussobjektiv. There were different heads, from 200mm to 640mm. All relatively simple, most are 2-lens achromats. So not the most modern designs, but good enough for long focal lengths and with big circles of illumination. Would be up to you to see if sharpness etc. is good enough off-center. Some were even made for 6x6. But the modular construction should make them pretty easy to adapt to any camera with built-in shutter. They are also pretty cheap.
The early Nikkor 4/135 for 35mm was also used on the Bronica S.
I don't know, and you could be right. But I always thought oversized image circles were actually a sort of cost saving measure. I *believe* it's easier to make a large image circle and then just crop out the central sweet spot for a small format than it is to make an optic that is uniform across the entire imaging area. But I'm no expert.
I'm not here to disagree that long lenses for 35mm can cover 6x4.5 - it would depend on the lens design and the baffling. However, I feel like discussing this aspect. I have seen a few versions of this 35mm-Nikkor 135 to Bronica-S-Nikkor 135 claim, that seem dubious. Your version is slightly different, so I wonder if there's some different evidence or different lenses being discussed.
There was a Nikkor-Q 135mm/4 lens for rangefinders: https://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/RF-Nikkor/RF135mm/index.htm
This lens is quite rare and was replaced by a Nikkor-Q 135/3.5: https://www.mir.com.my/rb/photography/companies/nikon/nikkoresources/RF-Nikkor/RF135mm/index1.htm
The rangefinder 135/3.5 is known to be a Sonnar type lens, and I suspect the 135/4 was also, but I've never seen one of the f/4. mir.com.my has a lens diagram of the 135/3.5, source unstated, first figure below.
There was also a Nikkor-Q 135/3.5 for the Bronica S, S2, etc. This lens is clearly a 4-element Tessar from the lens diagram, second figure below which I've reproduced below from some Bronica S literature. This makes sense for covering 6x6, because the Tessar-based design usually has somewhat more coverage than a Sonnar design at the same focal length. That's one reason we typically see Sonnars used for short-ish telephotos and the occasional 50mm rangefinder lens on 35mm (probably not good for a 50mm SLR lens due to mirror clearance).
So, I don't think the design was re-used, unless there is some earlier 135mm for Bronica that I don't know about. I also have had both of these 135/3.5 lenses (they are easy to find) and IIRC the glass elements and reflections are clearly different. That said, if you could dismount the rangefinder 135 mm lens head from the mount and hold it in front of a 645 camera, it might cover the format at least adequately for portraits. Covering 6x4.5 (about 70mm diagonal) is not a huge ask for a 135mm lens.
View attachment 405989
Rangefinder lens, above.
View attachment 405990
Bronica S 6x6 lens, above.
On my Telyt 4/200, the periphery is a little softer wide open at 6x6 (not surprising), but it's indistinguishable from my Zeiss teles by f/8. A good compact landscape lens.How does your 200mm Telyt do on the Hasselblad?
I believe you are correct here, there was a discussion many years ago where someone lamented that the Nikkor-Q 3.5/135 for Bronica was a "dog" of a lens because it was originally designed for 135 format. But that probably was not true, that idea probably came from some poorly translated Japanese to English articles that said the Nikkor-Q 3.5/135 was available in 6x6 and 135 format. I shouldn't propagate internet myths!I'm not here to disagree that long lenses for 35mm can cover 6x4.5 - it would depend on the lens design and the baffling. However, I feel like discussing this aspect. I have seen a few versions of this 35mm-Nikkor 135 to Bronica-S-Nikkor 135 claim, that seem dubious. Your version is slightly different, so I wonder if there's some different evidence or different lenses being discussed.
...<snip>
That's interesting, I have a Nikkor-Q 25cm f4 that was converted to a Hasselblad mount, and I find it better than the Sonnar 5.6/250, as good as the TeleTessar 4/250, and it's in fact my favorite 250mm. It could be a different lens through, as it's quite large and does not have swirly bokeh. Or David's lens was misaligned from servicing... Mine looks like the v2 on the mir.com site, but with a much longer barrel.The Nikkor-Q 25cm ƒ4 built for the 6x6 Bronica line (S, S2, S2A, EC, EC-TL, etc.) came from a LTM lens Nikkor made. I don't know how good it is on a 35mm frame, but its considered one of the worst MF lenses made, unless you like swirly bokeh.
The Unique Nikon Nikkor-Q 25CM f/4 for Bronica S2/S2A
Most people will never see, hold, or use the Bronica S2A's Nikon Nikkor-Q 25CM f/4 lens. In fact, Tony Hilton's authoritative Bronica S2A book "Bronica: The Early History and Definitive Collector's Guide" lists only five known copies.emulsive.org
That's interesting, I have a Nikkor-Q 25cm f4 that was converted to a Hasselblad mount, and I find it better than the Sonnar 5.6/250, as good as the TeleTessar 4/250, and it's in fact my favorite 250mm. It could be a different lens through, as it's quite large and does not have swirly bokeh. Or David's lens was misaligned from servicing... Mine looks like the v2 on the mir.com site, but with a much longer barrel.
Thanks for the informative post. That was an interesting read.
The mir.com lens articles are terrific. They feel like peak web 1.0 and I wish there were more sites like it.
You bring up a great point about rangefinder lens heads. The removeable heads on the older Leica 90mm and 135mm lenses might make for interesting 645 portrait lenses.
I've occasionally seen 300mm and longer lenses designed for 135 that have been adapted to 6x4.5. These are mostly vintage lenses. Are there any modern (late 70's and newer) 300mm to 600mm lenses that are known to have extra large image circles? Or, true telephoto lenses that don't cover larger formats but might if the lens head was adapted to a wider aperture barrel? I'm interested for covering the whole film area at middle distances for portraits, and covering a cropped 2:1 (6x3 cm) area at infinity. The existing options are gargantuan, and I don't mind some light falloff and softer edges.
I'm aware of most of the existing medium format options. I have the Mamiya APO 200/2.8. The 300/2.8 is interesting. But I'm curious about some of these 300, 400, and 600mm f/4 lenses from Canon and Nikon, etc.
I've occasionally seen 300mm and longer lenses designed for 135 that have been adapted to 6x4.5. These are mostly vintage lenses. Are there any modern (late 70's and newer) 300mm to 600mm lenses that are known to have extra large image circles? Or, true telephoto lenses that don't cover larger formats but might if the lens head was adapted to a wider aperture barrel? I'm interested for covering the whole film area at middle distances for portraits, and covering a cropped 2:1 (6x3 cm) area at infinity. The existing options are gargantuan, and I don't mind some light falloff and softer edges.
I'm aware of most of the existing medium format options. I have the Mamiya APO 200/2.8. The 300/2.8 is interesting. But I'm curious about some of these 300, 400, and 600mm f/4 lenses from Canon and Nikon, etc.
Nikon 300mm f/2.8 for Pentax 6x7/67 mount - Nikon 300mm f2.8 pentax 67 mount
Thanks for these links. That Nikon adapter to P67 is very interesting. They only replaced the section behind the tripod mount. That's not a dramtic adaptation at all. Very achieveable and with an easy to find lens..
There are folks currently adapting the Pentacon Six mount 180mm f/2.8 to Pentax 67.
Around 1982 I bought a preset Pentacom 300 f/4 in M42 mount. Paid $55 new for it in East Berlin. I used it for sports mostly with Pentax M42 cameras. The rear mount unscrewed and you could put a Pentacon 66 mount on it. Around 1990ish I had the lens permanently remounted for my Hasselblad 2000FC/M. Heavy lens, I now use a tripod with it.
With an adapter I can use it on my M645 1000 bodies but now I use my Hasselblad with it mostly.
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