I am indebted to all of you. This is great information! Thank you!
Based on what I'm learning here, I'm reconsidering this method. I've heard of the single tray method, but haven't looked into it yet.
Also, I have a JOBO CPP2 that I process my film in, and had considered that option (I'd need to buy a print drum) because I would then only need to set up the darkroom for the enlarger, and to load the drum, but I've had trouble finding feedback about the method in the archives. There's actually more to be found about the slot processors. The downside for me is that, back when I last processed prints in a darkroom (high school -- many moons ago), watching the print come up was one of the hooks for being there in the first place. That said, there are trade-offs for every option.
Also, Matt, you're way ahead of my wife on the storage of the chemistry. I would likely be draining and washing the processor every time I use it, so there goes the convenience. Thanks for bringing that up.
~Mark
I've never actually heard of anyone doing fiber paper in a print drum. I once tried doing it in a Unicolor drum, but the rotation speed was such I guess that my prints came out REALLY blown out from the contrast boost you get from the continuous agitation. I think you'd have to adjust the developer dilution down. Also, I think the Jobo would run slower at its minimum than the unicolor base did, which would help.