No longer E-6 virgin!

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reakeener1970

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Mar 4, 2015
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35mm
Hey all,

Just wanted to share. I have been processing my own B&W for a year now and finally worked up the courage to try the Arista E-6 kit I got about 6 months ago! Because most of my photos are of my daughter, I don't like risking them, but finally decided that $30 for developing 1 roll of Provia 220 or $17 for a 120 roll of Velvia was too much to keep swallowing.

I just want to say -- for any that are also in the same boat as me -- don't hesitate to try it. It is very easy and basically only requires maintaining a tight reign on the temperature during processing. Basically just have a few tubs/buckets/pots/and/or sink basins filled with (in my case) 105 degree F water and keep everything in there. Check the temp periodically throughout processing with your thermometer and add hot or cold water as necessary. Some people use fish tank heaters but I found this unnecessary.

I love transparency film in general (shooting Provia and Velvia -- are there even any others anymore?). There is just something magical to me about looking at the slide with either a loupe or, even better, projected on a screen. It is a totally different (I didn't say "better"...) experience than looking at a print. Plus, for projection on screen, think of it this way: State of the art TV (4K) has about 9.4 Megapixels. Even 35mm transparency film has the equivalent of 20 or so megapixels (depending on who you talk to), Medium format (645, 6x6) more like 40-60. Needless to say, with a good screen and projector (and both are relatively cheap nowadays) (well, not the Hasselblad projector, but the Rollei med format one is), it is a very cool experience to look at a projected slide.

I would hate to see all E-6 transparency film go the way of Kodachrome but maybe if enough people know how easy it is to home process, maybe more will buy some and give it a try. Obviously, Fuji will stop making it if not enough people buy it.
Thanks!
 

Nodda Duma

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Joined
Jan 22, 2013
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Batesville, Arkansas
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Awesome! I did the same about a month ago. Very easy.

Read up on using formalin to archive your E-6 negatives.
 
Joined
Jul 1, 2008
Messages
5,462
Location
.
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Digital
Hey all,

Just wanted to share. I have been processing my own B&W for a year now and finally worked up the courage to try the Arista E-6 kit I got about 6 months ago! Because most of my photos are of my daughter, I don't like risking them, but finally decided that $30 for developing 1 roll of Provia 220 or $17 for a 120 roll of Velvia was too much to keep swallowing.

...


WTF!!? You've been creamed if you're handing over $30 for Provia 220 and/or $17 for RVP50 in 120 format. Unless you are requesting proof-quality scans, I cannot see how an E6 job of two rolls can cost that much. Even 220, for its extra length, is usually processed for only very slightly more than 120. Here in Australia it is commonly AUD$7.50 to job RVP50 in 120/220 (same with any E6), but a couple of stores enjoy the privilege of pushing a single job price up to $17.95, which means people take their film and themselves elsewhere.
 

Sirius Glass

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Jan 18, 2007
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Enjoy your new found expertise!
 

Rudeofus

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Aug 13, 2009
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5,081
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EU
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Medium Format
Read up on using formalin to archive your E-6 negatives.

Just in case you haven't found the right reference for stabilizers yet: (there was a url link here which no longer exists) is the one thread you want to read.
 

Tijmendal

Member
Joined
Oct 30, 2012
Messages
66
Location
Amsterdam
Format
35mm RF
I would try it, but since I only pay 2,38€ a roll for E-6 slide development (either 35mm or 120), it's not really worthwhile for me. I looked into it some time ago and I'm pretty sure buying a kit turned out to be more expensive: with the added insecurity of likely getting worse results.
The developing gets done by a Fuji factory somewhere in the Netherlands. Pretty sweet deal.
 
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