Rafal Lukawiecki
Member
Many thanks, everyone, for your advice. As far as I can see, only PE uses this approach, with the rest of you kindly sharing the pros and cons. I was rather hoping it was more popular amongst APUGers, who'd share specific model names/types for a nozzle etc, but I'm happy to browse a catalogue.
@PE: any chance of a photo of your nozzle if you have it handy? feel free to PM.
Just to address a few other helpful points raised: I was not planning to use the nitrogen cylinder quite in the manner shown in the linked videos.
Dust Off is expensive here, running about $20+/can for the namesake or $30 for Kenro Kenair, which in my experience, is the best as it does not spew the super-cold ejaculate too oftenonly from time to time. Shipping those cans from abroad is nigh on impossible due to air restrictions, so I spend a minor fortune on it and I wish to savethe outlay on a full nitrogen system, even if it came to $300, is likely to pay back quickly.
Many thanks for the suggestions about clamping it upright. I will definitely not have it indoors, it would be outside of the building, behind darkroom's wall, with pipework and an appropriate tap indoors.
Bob: I fully agree with your observation about compressor systems that carry oil and moisture, which is why I have been using Dustoff/Kenair, while the Irish humidity is thankfully helping a lot.
Clive: It is clear to me that my negatives benefit from a little air blown over them, but I am also investigating a static/ionising Kinetronics vac-brush at present (I wish I could get the old Kodak one). If you do not use either, please share how do you remove dust from prints during dry-mounting. With a glossy print surface almost anything will scratch it. I have found air to be the best.
To those who like the rubbery bulbs, I admire your physiqueusing a bulb during a print mounting session seems to require Hulk's grip.
@PE: any chance of a photo of your nozzle if you have it handy? feel free to PM.
Just to address a few other helpful points raised: I was not planning to use the nitrogen cylinder quite in the manner shown in the linked videos.
Dust Off is expensive here, running about $20+/can for the namesake or $30 for Kenro Kenair, which in my experience, is the best as it does not spew the super-cold ejaculate too oftenonly from time to time. Shipping those cans from abroad is nigh on impossible due to air restrictions, so I spend a minor fortune on it and I wish to savethe outlay on a full nitrogen system, even if it came to $300, is likely to pay back quickly.
Many thanks for the suggestions about clamping it upright. I will definitely not have it indoors, it would be outside of the building, behind darkroom's wall, with pipework and an appropriate tap indoors.
Bob: I fully agree with your observation about compressor systems that carry oil and moisture, which is why I have been using Dustoff/Kenair, while the Irish humidity is thankfully helping a lot.
Clive: It is clear to me that my negatives benefit from a little air blown over them, but I am also investigating a static/ionising Kinetronics vac-brush at present (I wish I could get the old Kodak one). If you do not use either, please share how do you remove dust from prints during dry-mounting. With a glossy print surface almost anything will scratch it. I have found air to be the best.
To those who like the rubbery bulbs, I admire your physiqueusing a bulb during a print mounting session seems to require Hulk's grip.