Nikon Nikkor W 210mm F/5.6

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Hi,

Can you share your opinion of the Nikon Nikkor W 210mm F/5.6? Please, just this lens no others.

Thank you.
 

138S

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Hi,

Can you share your opinion of the Nikon Nikkor W 210mm F/5.6? Please, just this lens no others.

Thank you.

This is a superb lens, top notch. I use the 210mm and the 360mm of the W series.

First all major manufacturers (rodenstock, schneider, fuji and nikon) had all excellent products, and equivalent glasses of the competition will be pretty equivalent in practice.

There is a sample to sample variation... usually there were more variability from sample to sample variation in a brand than real difference between brands, but anyway this should be a least concern in real pictorial situations.

Image circle is specified 295mm so it does not cover "totally" 8x10", but it can be used in 8x10". It is a 4x5" and 5x7" lens that can be used for 8x10". As circle is large for 4x5" then sometimes you may want to use a compendium shade to avoid light bouncing in the bellows and delivering some flare.

A famous user of the Nikon W series is just John Sexton, not more and not less. At the moment he made the decision reportedly he found it was the best choice, and also reportedly he owned several samples of some focals until he found an extremly superb kit, to overcome the slight variability that all LF lenses have. Over time, as manufacturers had been releasing different versions sometimes people preferred one brand or other, also forgein currency fluctuations a bit favored different brands at different times.

The W 210 is a general usage plasmat, having the most sound balance for general photography, of course there are lenses specifically designed for portraiture or for architecture, but as a lens for general photography you won't find its limits (at lest me I can't), always there is something in the real shot (DOF, film, alignment, etc) that will be the limiting factor, and not the glass itself. Regarding bokeh... japanese plasmats and german plasmats have slight different nuaces in the out of focus areas, but this is about taste... You may search LF shots in flickr to see this.
 
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Darryl Roberts
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This is a superb lens, top notch. I use the 210mm and the 360mm of the W series.

First all major manufacturers (rodenstock, schneider, fuji and nikon) had all excellent products, and equivalent glasses of the competition will be pretty equivalent in practice.

There is a sample to sample variation... usually there were more variability from sample to sample variation in a brand than real difference between brands, but anyway this should be a least concern in real pictorial situations.

Image circle is specified 295mm so it does not cover "totally" 8x10", but it can be used in 8x10". It is a 4x5" and 5x7" lens that can be used for 8x10". As circle is large for 4x5" then sometimes you may want to use a compendium shade to avoid light bouncing in the bellows and delivering some flare.

A famous user of the Nikon W series is just John Sexton, not more and not less. At the moment he made the decision reportedly he found it was the best choice, and also reportedly he owned several samples of some focals until he found an extremly superb kit, to overcome the slight variability that all LF lenses have. Over time, as manufacturers had been releasing different versions sometimes people preferred one brand or other, also forgein currency fluctuations a bit favored different brands at different times.

The W 210 is a general usage plasmat, having the most sound balance for general photography, of course there are lenses specifically designed for portraiture or for architecture, but as a lens for general photography you won't find its limits (at lest me I can't), always there is something in the real shot (DOF, film, alignment, etc) that will be the limiting factor, and not the glass itself. Regarding bokeh... japanese plasmats and german plasmats have slight different nuaces in the out of focus areas, but this is about taste... You may search LF shots in flickr to see this.

Thank you VERY much.
 

Nokton48

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I used it on my 4x5 Norma to shoot color architectural E6. Worked well, great lens
Nikkors usually have pretty big image circles
 

RalphLambrecht

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Hi,

Can you share your opinion of the Nikon Nikkor W 210mm F/5.6? Please, just this lens no others.

Thank you.
This was the first Lindsay used four 4 x 5 and I found it was terrific. Wide-open aperture is large enough to focus easily but, if the Bellows are extended significantly the weight of the lens needs to be considered. Also, it doesn't give you much room for adjustments and for my flight.
 
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Darryl Roberts
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I ac
This was the first Lindsay used four 4 x 5 and I found it was terrific. Wide-open aperture is large enough to focus easily but, if the Bellows are extended significantly the weight of the lens needs to be considered. Also, it doesn't give you much room for adjustments and for my flight.
This was the first Lindsay used four 4 x 5 and I found it was terrific. Wide-open aperture is large enough to focus easily but, if the Bellows are extended significantly the weight of the lens needs to be considered. Also, it doesn't give you much room for adjustments and for my flight.

Thank you, I intend to use it with architecture.
 
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Darryl Roberts
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Thank you all, I just ordered one from a US seller on ebay with "light haze and some dust" for $195.00. I have a shot in downtown Atlanta planned, the Artist Viewfinder app is awesome and let me know exactly what lens would be best.
 

138S

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Yes... for 5x7" max rise of the W 210 is 50mm or 60mm depending on landscape/portrait orientation. Instead the Super Angulon and the Super Symmar XL allow insane 157mm/175mm V/H rise from the insane 500mm image circle.

Or course the W 210 can be used for architecture shots, but insanely large rise movements are only possible with an specialized lens sporting a very big circle for the format, but a large circle/ large rise also has problems like fall-off in the circle boundary when rays are at high angle and possible flare generation as 90% of the light entering in the camera ends on the bellows inside (500mm circle for 5x7") , perhaps commanding a compendium shade in some situations. Also optical performance is not the same in the far boundary...

Correction of the converging verticals is not allways necessary or possible, and deciding when that resource has to be used or not is about taste as extreme corrections may also deliver a not natural look. Anyway an expensive architecture specialized lens allowing an insanely large circle... this provides powerful resources for the arquitectural photographer !!!

IMO the W210 may be perfect to start, but someone specialized in architechtural LF photography ends dreaming with a Super Symmar XL.
 

Cary Lee

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It's a nice lens....it similar to shooting a 85mm on a 135 format. Great for portrait work and short tele work.
 
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