The part that is at risk is under the film spool. How much damage might happen, I don’t know because I’ve never taken my MD-4 off with film in the camera. Process the roll and let us know. I’d guess fogging on one edge but can’t even guess how far into the film it will radiate.
Don’t blame the design. Be a grownup and take responsibility. You forgot; It’s okay to make mistakes.
If you just loaded the film, I’d advance 2 frames and press on with your plans. The film in the canister is light-tight. Your right about film in the gate being at risk, and maybe whatever is already on the take up spool.
I’ll bet that most F-3/MD-4 users are like me. I bought mine in 1980 and have only taken the motor off twice that I can recall.
BTW, I noticed that you just joined today. Welcome!
Don’t forget about the little storage slot by the battery cassette in the md4 , for the motordrive hole cap!
The md4 I bought actually had a cap in that slot! Somewhere out there an F3 is missing its motordrive cap…
In addition, one of the key features of the Nikon F3 included the motor drive, which had been designed based on the concept that it was not an accessory but rather it was considered an integral part of the camera.
From
From what I've seen on eBay there's a lot of them missing that part.
… and they tend to be a bit expensive, relatively speaking, when needing replacement.
Going back to the design philosophy for a moment… from
I am not clear. Does the F3 you bought has that cap? Now I only have the Nikons (F2, F3, F4, F5) and of all the Nikons with removable motor drive you either can't remove the motor drive with film in it or you don't have power rewind. I wonder other brands are like that or not?
Nikon appears to have had two design philosophies. Motor drives on the 1980’s “amateur” cameras, like FE and FM, were removable without concern for either light incursion or loss of cap.
… and they tend to be a bit expensive, relatively speaking, when needing replacement.
Going back to the design philosophy for a moment… from
When I have the first F3HP in 82 I never remove the MD-4. I had the F2AS and that's my non motor drive camera, the F3 is for motor drive. I bought to F3HP and MD-4 set because the set is less expensive than the MD-2 and MB-1 set for the F2AS.
Today I use the F3 often without the MD-4 but I never forget about the cap. Actually if you want to remove the MD-4 while having film in it you can go to a dark place and the film would be OK. Not really have to be completely dark like a darkroom. I do not think the design was a poor design. I love power rewinding. I guess if you're into photography before the F3 was introduced you wouldn't think that the cap was a bad design
I am not clear. Does the F3 you bought has that cap? Now I only have the Nikons (F2, F3, F4, F5) and of all the Nikons with removable motor drive you either can't remove the motor drive with film in it or you don't have power rewind. I wonder other brands are like that or not?
Thank you for your response! I don't think it was a bad design now that it's been said that the F3 and MD-4 were expected to be together. It makes sense. When I removed the MD-4, I was in a very dimly lit room. I'm going to pretend that nothing happened and see how it turns out.
Luckily the one I bought had all caps and terminal covers...it was one thing I made sure of as I considered it a small indicator of how the equipment was treated by it's previous owner. That said, it's the only Nikon I know of that has that hole. I have an FA, FE and F4S. Obviously the F4 doesn't have the issue, and the only ones I've ever seen on other brands didn't have a hole either. A mystery!
A couple of frames might or might not be anything from slighty fogged to ruined. No biggie. Live and learn.
The light comes in through the hole in the bottom where you removed the little round cover (and stored it in the special slot in the battery tray) before mounting the MD-4. On the F3, that hole goes into the film chamber allowing the MD-4 rewind shaft to engage the film spool inside the 35mm film canister....which allows the MD-4 to rewind the film. Adding the Nikon MF-6B back allows the motor drive to leave the film leader out of the canister when rewinding - something I really appreciate when processing the film at home.
I have an F3HP with the MD-4 and MF-6B. I just leave them married all the time. In addition to the obvious (motor driven film advance), I prefer the ergonomics of the two together, and bonus! the battery in the MD-4 will power the F3 meter - even when the MD-4 is in the 'locked' mode. There is no need for a separate CR1/3N battery in the body (doing this also make the combined F3/MD-4 perform better in low temperature environments).
The Nikon F2 also has the hole. Again, it's there to allow the motor drive to rewind the film. These cameras (the F2 and F3) were designed for professional photographers. Pros wouldn't be adding/removing the motor drive mid-roll.
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