I think the duration of the old flashes were much longer, so it didn't matter as much. You didn't have to synchronize the shutter being open all the way with the burst of flash. The flash lasted much longer than the shutter speed.
I think the duration of the old flashes were much longer, so it didn't matter as much. You didn't have to synchronize the shutter being open all the way with the burst of flash. The flash lasted much longer than the shutter speed.
This is correct only for compact, camera mounted flashes. Large, studio-strobes may be cutoff by fast leaf-shutters which can be compensated for by a larger aperture or longer exposure.AFAIK, electronic flash has always been faster than most, if not all shutters.
Left-eyed shooters sometimes have a problem with the FE/2 and FM/2 film advance lever (wihich has to be in the stand-off position to unlock the shutter button), poking us in the eye.
Crappy, crappy, crappy F3 readout makes it nearly useless for me (I only got one to shoot close-ups).
Hah! It's a hoot seeing that a thread I started eight years ago gets revived and still has legs!
Enthusiastic plus 1. I still prefer a F5 because of my huge hands.. I it's got to be manual, F3HP hands down. Get a mint example, and the lovely leather case, then just use te bottom half. F100 is actually able to auto expose slides, F3 you need to be careful with a very center weighted meter .Nikon F100.
Hah! It's a hoot seeing that a thread I started eight years ago gets revived and still has legs!
Okay, that was back in 2010 when I started this thread. At the time, I think I owned only a single Nikon -- my venerable old F2. Lots of things have happened since then. For starters, I put the F3 vs FE2 controversy to bed by eventually buying both. But I should also mention that, in addition to these, I've also bought an original F with the first, non-TTL Photomic finder (64xxxx), another F2 (actually an F2S), an FE, a Nikon EL2, a Nikkormat FT3, an N80, and an F4. One of these days I'll get an FM --- or maybe an FM2. But I own a Pentax MX, which takes care of any FM itch pretty well. So anyway, by my count, I now own 10 Nikons, all great examples of the marque. But I'll probably add a few more Nikon 35s before everything's all said and done.
... one of the best 35mm SLR’s ever made, the FM3A.
...
Wow, all those cameras and you just flat out skipped one of the best 35mm SLR’s ever made, the FM3A.
< 8 year old thread! >
So, Michael, what did you eventually do?
Having two F3/T's, an FE2, and an FM3a, I vote for the FM3a or the FE2 for just plain fun.
Why? Yes, the F3 is better built (especially the T), has a great HP prism, and is smooth, but for me at least, I can't stand the viewfinder display.
The FE2 / FM3a viewfinder with its analog shutter display, blue and black needles, works for me.
...What do you dislike about the F3 viewfinder display? I really like my FE, FE-2 bodies.
The digital shutter speed display in the upper left of the viewfinder is, for me, a poor way of presenting information. I also think it's too small.
A scale display with a needle, such as on the FE, FE2, FM3a, provides me with a more intuitive indication of the selected speed - much the same as an "analog" watch dial vs. a digital display.
My favorite might just might be the Canon EF's viewfinder, although I'm growing very fond of that on the F-1N.
Also, the Minolta XD-11 presents its information very well in all modes.
The digital shutter speed display in the upper left of the viewfinder is, for me, a poor way of presenting information. I also think it's too small.
A scale display with a needle, such as on the FE, FE2, FM3a, provides me with a more intuitive indication of the selected speed - much the same as an "analog" watch dial vs. a digital display.
My favorite might just might be the Canon EF's viewfinder, although I'm growing very fond of that on the F-1N.
Also, the Minolta XD-11 presents its information very well in all modes.
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