Does anyone have any experience with this lens? I am thinking about picking one up, however, the online reviews seem to be all over the place, regarding its performance.
This lens has a different design concept than the other Nikkors in that focal lens class: The main subject in the middle of the picture should be separated in an optimal, three-dimensional way. The picture should get a certain, more visible "depth". Or often called "3D-Pop".
To reach this goal one important measure is to give the lens a significant amount of field curvature (curvature of the sharpness field). Normally field curvature is considered a design flaw in lens design, and lens designers try all to avoid it as much as possible (to get "plan" lenses). Because most customers want an even sharpness across the whole image.That is not possible when a lens has significant field curvature. That is also the reason why this 1.4/58 G Nikkor lacks sharpness at the borders in normal lens tests: In these tests plan, flat test charts are photographed. And that is the main reason why pixelpeepers don't like it.
But if you evaluate this lens in real field testing, using it for the subjects it is designed for, things look very different and much better.
Larry Cloetta has given the link to the huge thread with examples on the FM forum. Most of the pictures clearly show that the unconventional design concept works as intended.
It is nothing new, by the way: There are some other, older examples for this concept. Like the three Pentax 35mm film Limited lenses (31, 43, 77). Or some years later the Zeiss ZF / ZE 2.0/28. Lenses which are loved by their owners.
Wether the price is worth it only you can decide for yourself. And renting one to test it before you buy is of course a very good idea.
And there are maybe lower price alternatives you may consider as well: The Zeiss Milvus lenses have the reputation giving also a kind of "3D-Pop", but without having field curvature. From my own tests I can confirm that: E.g. my Zeiss Planar 2.0/50 gives a more three-dimensional look than all my other 50mm Nikkors. But in comparison to the 1.4/58 G Nikkor - used in the right way as intended - the Nikkor gives a more three-dimensional impression.
Another alternative is to use a 85mm lens instead of the 58mm: The shallower depth-of-field increases the subject isolation and the 3D-effect.
And another alternative is influencing the composition more: The bigger the distance between your main subject and the background, the blurrier your background and the better your subject isolation and three-dimensionality.
Best regards,
Henning