I don't know about his work, but I've noticed a lot of photographers today (especially more well known ones), offer (often limited print run) darkroom prints and inkjets at two different price structures. This is of course presuming that they are using film at all. But, if you've got the money, you can make a choice.
Terry S
True sometimes...but many of the best use inkjet (and Photoshop). never darkroom, in order to produce superior prints or, like Bill Brandt's, in order to produce prints that would be virtually impossible in a darkroom.
Is there a positive correlation between "well known" and photographic merit?
The best known are into schmaltz, whether darkroom or inkjet, hoping that's what their target audience wants.
It's become standard practice to attempt to gild lilies (to put it kindly) by touting mediocre images as "traditional" silver gelatin prints.
Also... if you "don't know about Brandt's work," which is easy enough to find online, how can you comment?