Mateo
Member
Thanks for the info Kerik. That print you posted was baffling me forever, then I got it I think...that's a wet plate negative printed in Pt? Gorgeous!
yes - the surface would be my criticism of Buxton/Talbot as it is quite textured - the cost is down to the shipping from France.Waaay too expensive for my budget, especially for printing large. And I'm not crazy about the Buxton surface. But yes, I've tried it.
I don't know if it's watermarked, but I don't think so. The samples I was given for testing were 11x14 and had no watermarks. I've not yet received the parent sheets.
I have been testing the paper also and Kerik is on target with his comments. The paper dries nice and easy and flattens beautifully. It clears very quickly and that is a nice feature in platinum and Ziatype both.
One nice surprise came when I was testing the first batch. The friend who got it for me (Richard Prehn, Zxorb) thought it was a digital printing paper specifically designed for inkjet printing of scans of platinum prints. So... I bit the bullet and scanned and printed some of my pt/pd and Ziatypes using the Epson 2400 and both color as well as monochrome inksets. Very nice results. A number who viewed these side by side with the pt/pd originals had a hard time telling them apart. It appears the paper will serve a dual purpose. The pt/pd originals can be matched well with digital prints. Nice and clean and sure cuts down on having to stock so many papers when you are printing with both methods.
The surface is clean and smooth and does show detail well. I was worried about it being lighter in weight than I am used to but have had no tearing or deforming during wet handling. I left a few prints in the rinse overnight and still had no troubles, though it isn't recommended.
All in all a really nice paper and one I will work with.
John is also a good guy and listens to feedback and does respond by following up on it. It is nice to deal with a guy who does what he says and becomes a partner in the process rather than just a supplier.
Just a question: what is the best clearing way for that paper ?
HCA as Arches Platine or COAT-320 or citric acid as Crane Cover
I received some 22X34" sheets of the new Weston paper yesterday and made a few palladium prints today. It appears to be an excellent paper and lives up to previous billing. The paper gives excellent reflective density, the coating paper is fairly smooth and does not need a lot of sensitizer ...
How would you compare the coating on the Weston paper against Crane's 90# Cover? Or, for that matter, compared against COT320?
Coating seems smoother on the new Weston than on Crane's 90# cover, not quite as smooth as on COT 320. In coating the paper it took just a tad more sensitizer to coat the Weston paper than to coat COT 320.
COT 320 is the gold standard for Pt./Pd. printing as far as I am concerned, but it costs four times as much as the Weston.
This is exactly inverse to what I was expecting to hear.
I LOVE the way Crane's 90# coats with a rod. I wish they would cure once and for all their Black Plague problem. COT320 seems to require a special touch and a little more sensitzer when using a rod. Well, at least in my novice case it seems.
Everyone's comments have been interesting and helpful to read. Thanks!![]()
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Beat me to it Sandy!Dump the rods ...
Dump the rods and get a Richeson 9010 magic brush!
Sandy King
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