The Halide Project
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Hi analog friends,
We just wanted to announce the founding of our new organization, The Halide Project, to this group of fellow analog users.
Founded in Philadelphia but maintaining a global outlook, The Halide Project seeks to support practitioners of traditional film and alternative process photography through exhibition opportunities, affordable workspace, and a residency program. We also seek to spread awareness to the greater public through education and outreach.
Our first exhibit will be held in December in Philadelphia and feature works by Bill Armstrong, Vincent Feldman, Joy Goldkind, Tricia Rosenkilde, and Sarah Van Keuren. We are in the middle of a Kickstarter campaign to finish raising funds for the exhibit. Right now we're over halfway there with 6 days until the finish line.
If you're interested in finding out more or would like to support our cause, check out these links:
Our kickstarter: Dead Link Removed
Our website: http://www.thehalideproject.org
Our facebook page: https://business.facebook.com/TheHalideProject
Thanks, and we hope to hear from you!
Exactly what is "emulsion-based photographic art"? Most alt processes are not "emulsion-based." Are these prints excluded if the images don't originate on film?
Maybe you mean "hand-coated" and not "emulsion-based"?
Spot-on question. There are so many layers of wrong info going on here.
Although I wholeheartedly salute the intent of their project, I also find myself very disappointed. The lack of knowledge about photographic technique, science, and history among far too many photo professionals is incredible. When I took the altprocess survey several months ago, I tried to point out to them that they had excluded silver gelatin dry plates and handmade silver gelatin emulsions. I still don't see any reference in the survey results. Dry collodion was never an important photographic process. Silver gelatin dry plate quite obviously was, although it was simply called dry plate. Several decades ago when the alternative processes became fashionable in art schools, "plate" photography was seen as exclusively collodion. Apparently, when photo educators see "dry plate" today, they must automatically (i.e., ignorantly) think "collodion dry plate."
If any of the big brains in APUG can think of a way to break through the Great Collodion Barrier at the end to the Universe, I love to hear your advice.
Spot-on question. There are so many layers of wrong info going on here.
Although I wholeheartedly salute the intent of their project, I also find myself very disappointed. The lack of knowledge about photographic technique, science, and history among far too many photo professionals is incredible. When I took the altprocess survey several months ago, I tried to point out to them that they had excluded silver gelatin dry plates and handmade silver gelatin emulsions. I still don't see any reference in the survey results. Dry collodion was never an important photographic process. Silver gelatin dry plate quite obviously was, although it was simply called dry plate. Several decades ago when the alternative processes became fashionable in art schools, "plate" photography was seen as exclusively collodion. Apparently, when photo educators see "dry plate" today, they must automatically (i.e., ignorantly) think "collodion dry plate."
If any of the big brains in APUG can think of a way to break through the Great Collodion Barrier at the end to the Universe, I love to hear your advice.
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