adelorenzo
Member
Well Fuji do still sell one black & white peel apart instant film, so must have the know how to do a B & W instax film if they chose.
Well Fuji do still sell one black & white peel apart instant film, so must have the know how to do a B & W instax film if they chose. However as apparently they couldn't make a profit from their excellent Neopan 400 35mm film, I can't see them introducing a B & W film in instax formats. So I don't think the Impossible Project have anything to fear.
Yeah, I think Fuji makes more money with their FP series because they are the only ones doing it and the Instax arent selling as much. At least they released a new mini cam. Maybe that'll spark some interest.
Instax has to be selling waaaay more than the FP film. You can find Instax film in stores all over China. It is EVERYWHERE. It is almost like the old days in that you can just pop into a store and grab some film on the fly.
Even in the camera malls there are maybe one or two stores with a few boxes of FP film in stock. It's not even close.
Here in Germany and in Poland you can find tons of Instax mini films and cameras in "Saturn" store and in some other shops as well. Other instant films - only fotoimpex.
Not true, at least here in Poland. Finding fp100c is not a big problem. I've seen some Impossible Project films, too - but "Impossible Pricing" would be a better name.
Hope I don't sound stupid for asking this but Does this film need to be shielded from light when it is ejected from the camera like the others did?
With newly developed chemistry, the latest edition to the Impossible family of films boasts faster development time and significantly improved stability, contrast, and overall performance.
Hope I don't sound stupid for asking this but Does this film need to be shielded from light when it is ejected from the camera like the others did?
But you still have to shield it from light when its ejected from the camera, right?
The light sensitivity of all of our film materials is created by classical silver halide emulsions. When the picture comes out of the camera, the siver halide crystals in the negative are still light sensitive, despite some protection by what we call an opacification dye in the paste.
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